Grant Morrison discusses the cover of Batman and Robin #15

[Editor's note: Grant Morrison provided the below commentary for the bonus material in the new BATMAN AND ROBIN MUST DIE! Hardcover - for more behind-the-scenes material from Grant, Frank Quitely and Frazer Irving, be sure to check out the book, now in stores!]127_bmcv_2400_panel

Issue Fifteen

This cover was intended as a kind of Satanic reverse of the famous panel from DETECTIVE COMICS #38 published in 1940, where Batman solemnly inducts the young Robin into the crime-fighting fraternity.

Here the figures are flipped around, with left hands raised instead of right hands and a candelabra designed to hint at a trident or pitchfork shape, suggestive of the Devil. A huge, inverted cross appeared in the original drawing as an homage to the imagery of late ’60s and early ’70s “Devil” pictures such as Rosemary’s Baby, The Exorcist and The Omen, but this was considered to be too “on-the-nose” and was dropped from the final version.

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Grant Morrison discusses the cover of Batman and Robin #14

[Editor's note: Grant Morrison provided the below commentary for the bonus material in the new BATMAN AND ROBIN MUST DIE! Hardcover - for more behind-the-scenes material from Grant, Frank Quitely and Frazer Irving, be sure to check out the book, now in stores!]

Issue Fourteen

During “Batman R.I.P.” I felt we’d missed out on the potential of an infernal cover depicting Doctor Hurt wearing Thomas Wayne’s sinister, bat-like masquerade costume backlit by turbulent flames. The idea was finally used here, with the addition of a Batman who’s had bullet holes blasted into his back in a domino-spot pattern.

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Grant Morrison discusses the cover of Batman and Robin #13

[Editor's note: Grant Morrison provided the below commentary for the bonus material in the new BATMAN AND ROBIN MUST DIE! Hardcover - for more behind-the-scenes material from Grant, Frank Quitely and Frazer Irving, be sure to check out the book, now in stores!]

As regular readers of these collected editions will know, I sketch out pretty much all of the cover roughs for this series in my notebook at the start of the creative process. Here are the last of those scribbled ideas, alongside the polished, professional finished versions by Frank Quitely.

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Issue Thirteen

Back in BATMAN #428, in 1988, the Joker had famously used a crowbar to beat Jason Todd, the unlucky second Robin, to within an inch of his life before blowing him with a bomb. As is the way of comic book characters, Jason Todd eventually made it back from the dead many years later (and even made an appearance as the Red Hood in this very series), but I wanted to see the new Robin redress the balance in his own inimitable way — hence this image of a grinning, unrepentant Joker taking his skull fractures with a smile

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Geoff Johns and Jim Lee to appear at Hero Complex Film Festival

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Which way will Superman fly in the 21st century? DC Entertainment's own superheroes Geoff Johns and Jim Lee tackle this and other comic book questions Saturday, June 11 at the Hero Complex Film Festival in Hollywood.

Superman has been a cultural icon for 73 years, capturing the hearts and imagination of the world through the pages of DC Comics. What does DC have in store for Superman and can this young, hot creative duo launch Clark Kent and his alter ego into the future?

In an exclusive on-stage conversation, legendary comic writer Geoff Johns and celebrated comic artist Jim Lee, will be interviewed by journalist Geoff Boucher, who is celebrating his 20th year at the Los Angeles Times and has become a high-profile figure in genre culture as the creator of the award-winning Hero Complex website.

Johns and Lee will be making comic book publishing news at the festival panel. Their appearance will be followed by a tribute to Richard Donner, screenings of both "Superman" and "Superman II: The Richard Donner Cut" and a Q&A with the famed filmmaker.

Single-day tickets are available for festival, which runs June 9-12 at the Chinese Six Theatre at famous cross-street of Hollywood and Highland. A limited number of discounted four-day passes are also available. Other special guests include Warren Beatty, Jon Favreau, Nicolas Meyer, Damon Lindleof, Alex Kurtzman and Roberto Orci. More guests and programs will be announced soon

FLASHPOINT FRIDAY: “Frankenstein is … an unstoppable, unkillable, machine of destruction.” – Jeff Lemire

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The tale of FRANKENSTEIN is unarguably timeless. So how does one take such a culturally recognized figure and alter him within the world of FLASHPOINT? Stepping up to the plate is fan-favorite creator Jeff Lemire, whose miniseries FLASHPOINT: FRANKENSTEIN & THE CREATURES OF THE UNNKNOWN sets the legendary monster in the heart of World War II. We chatted with Jeff about his spin on the character and his process as a writer:

flsp_frank_rgbTHE SOURCE: FLASHPOINT: FRANKENSTEIN AND THE CREATURES OF THE UNKNOWN uncovers the wierd war tales of the FLASHPOINT world. When Frankenstein awakens in issue one, his first words are "was... something... left... undone?" What is he referring to? Where has Frankenstein been?

JEFF LEMIRE: That was actually an homage to the Grant Morrison/Doug Mahnke 7 SOLDIERS mini-series. In that book, those were the first words the creature said as well, and it occurred to me that if Frankenstein woke up in 1942 or in 2003 like he did in that series, he'd have the same reaction...he’d sense a world in turmoil.

Without giving too much away Frankenstein was a secret adventurer and protector of humanity in the early part of the 20th century before being...um...put out of commission for a while.

flashfrankDoes the Frankenstein monster end up a war hero?

JEFF: He is THE war hero. Frankenstein is driven to root out evil at all costs and it leads him on a pretty MAJOR mission during World War II. One that not only changes the direction of the war, but also the history of the Flashpoint Universe's costumed heroes as well.

How does Project M impact the Second World War?

JEFF: Frankenstein and his team of Creature Commandos created by the mysterious Project M end up leading the charge in Europe. As a result, teams like the JSA and All-Star Squadron are not needed in the same way they were in the regular DC Universe. Thus their destinies are altered as well.

flsp_frank_1_06There's a common thread to your work for DC and Vertigo. SWEET TOOTH features hybrid human/animal creatures and SUPERBOY features the monthly adventures of a super clone. Now you're writing the adventures of monsters who are super soldiers. What draws you to stories about lab experiments and science fiction?

JEFF: I am actually a clone myself. I come from a long line of clones. My dad was a clone, my grandfather...in fact I've cloned myself a number of times. It's how I'm able to write two monthly books and write and draw another every month.

Seriously, though I love these characters who have nebulous origins and are born as outsiders...or born being inherently cut off from the rest of humanity, and as a result need to manufacture either own place in the world. It's a very unique point of view to write and for whatever reason, one I can relate to and one that continues to interest me creatively.

What makes this Frankenstein unique from other takes on the character?

JEFF: This Frankenstein is a total badass. An unstoppable, unkillable machine of destruction. But inside is the romantic heart of a poet.

FLASHPOINT FRIDAY: “Death solves all problems."

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fp_grodd_cv1_rgbSean Ryan’s one-shot, FLASHPOINT: GRODD OF WAR, takes its readers on a trip to a war-ravaged Africa. Led by his hunger for violence and power, Grodd has successfully taken over the continent and has been made king of all the land. With plans for expanding his empire globally, Grodd is not a character to be overlooked. We talked to Sean about his tortured protagonist and what the ramifications of his rule of Africa might have on the FLASHPOINT universe:

THE SOURCE: While Grodd gives off a very tough exterior, he's clearly tortured by his own personal demons. Why is Grodd such a haunted figure, even in a world without a Flash?

SEAN RYAN: I think because there is no Flash in this world, that's why Grodd feels like crap most of the time. He's missing that challenge, or at least, that person who could give him a challenge. Stuff is coming too easily for Grodd in this world and he sort of hates that. He's a smart dude, Grodd. He likes to be intellectually stimulated. And he's not getting that.

gow2-3What motivates Grodd?

SR: Power. He craves power over things. I think it mainly comes from a sense that he knows he's smarter than everyone else, so why shouldn't he be in charge? I certainly think that's what motivated Grodd to start his conquest of Africa. Now that the conquest is nearly over...His motivation is starting to change.

Tensions between Aquaman and Wonder Woman have had global ramifications. How does Grodd fit into the hierarchy of international super powers?

gow05SR: He really doesn't. They ignore him. A thing I wanted to touch on in the story is how Africa is often ignored. There's awful things happening in Africa all the time in our own world and we don't really know about it. It usually takes some kind of celebrity to point it out to us. So that's sort of what's going on in Africa in Flashpoint. Grodd has taken over Africa and turned it into a mass grave, but the world could care less. They're more focused on Aquaman and Wonder Woman.

Grodd is a world leader. How does he rule Africa? Is he an isolationist?

SR: He rules Africa not very well, but he's not terribly concerned with running it very well. Grodd's not really one to enact wide ranging social programs. And he's an isolationist at the start of the story...But by the end of the story, you'll see Grodd start to look out at the rest of the world and see an incentive for joining the bigger war, but for reasons you might not have expected.

If Grodd's Africa had a motto, what would it be?

SR: I was looking up famous quotes and mottos for this question and found this insane quote from Joseph Stalin that sums Grodd's Africa and the story pretty well: "Death solves all problems."

FLASHPOINT FRIDAY: “The stakes involved? About 118 million lives.” – Rex Ogle

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flsp_wf_cv2THE SOURCE: In issue one of the WORLD OF FLASHPOINT, we see the impact of the war on real world locations including Paris and New York. Why focus on those cities?

REX OGLE: I came up with three visuals that I thought nailed the social climate of a world on the edge of a terrible war. I picked Paris, because I wanted to show some mass destruction on the frontlines, and it’s a place people are familiar with (from movies and TV, if not first hand). Same with NYC—it’s iconic.

Also, I thought if the world were ending, how would people act on these streets I call home?

Will the series also explore DC Universe cities like Gotham and Metropolis?

REX: Metropolis and Gotham both get a lot of love in PROJECT: SUPERMAN and BATMAN: KNIGHT OF VENGEANCE (respectively), so I aimed for a more global tour of the world. After all, it is called WORLD OF FLASHPOINT. But Traci 13 does touch down in Gotham and finds a very unexpected ally.

Issue 2 expands the scope of the series even further, as Traci 13 travels around the world to Africa, Asia, and North America and South America.

REX: Don’t forget Australia, Antartica, and Europe! Traci 13 travels to every continent. But it’s not about the locations so much as the people she meets along the way. Expect plenty of cameos.

wofp2-3What area of the world has been the most impacted by the war between Aquaman and Wonder Woman?

REX: The entire planet has been affected by the Amazon-Atlantean feud, though none quite as deeply as Europe.

What, if anything, can you tell us about the global council that makes up H.I.V.E.?

REX: Hmmm, there's a scientist, a dictator, a madman, and of course a very scary kid. Who doesn’t love a creepy kid?

I really scored some rad cameos, drawing deep from the massive well of DCU characters and put together people I thought might be brought together under these kinds of dire circumstances.

wofppg8What made Traci 13 the right protagonist for this series?

REX: Here’s this young girl with an immense amount of power at her fingertips, but she doesn’t quite know how to use it in the beginning and it causes her to lose her family. I think anyone can relate to not being smart enough as a kid and making mistakes.

Also, her last name is “13”. I still think that’s cool.

Are any of the characters in THE WORLD OF FLASHPOINT actually better off than the versions we have known in the DC Universe?

REX: Wow. Great question. (No comment.)

The action in THE WORLD OF FLASHPOINT may well bring dire consequences to the world's population. Just how big of a threat is set in motion in the first issue?

REX: Hmmm. The stakes involved? About 118 million lives, including pretty much all of our fave heroes and villains. And to think, Traci is only 15 years old. NO pressure.

FLASHPOINT FRIDAY: A Map of the World of Flashpoint

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In a world where everything you know will change in a flash, it might help to have a map. Luckily for us, thanks to writer Rex Ogle and artist Freddie E. Williams II, readers now have just that: a map of the world of FLASHPOINT.

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The United Kingdom? That’s now New Themsycira, home base to the Amazons.

Pirate Trade Routes? You’ll see those explored in FLASHPOINT issue 2 and FLASHPOINT: DEATHSTROKE AND THE CURSE OF THE RAVAGER.

Inspired by this map, today’s edition of FLASHPOINT FRIDAY will provide a look at the world building of FLASHPOINT. Check back throughout the day for interviews about the global conflict at the heart of the story.

In the meantime, take another look at that map. Euro-Refugee Camps? A Nazi occupied Brazil? A World Without the World’s Greatest Superheroes certainly turned out differently.

Archivist and Protector of the Book of Oa

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TOMAR-RE

REAL NAME: Tomar-Re

OCCUPATION: Green Lantern/Galactic Protector/Archivist

BASE OF OPERATIONS: Sector 2813

HOMEWORLD: Xudar

HEIGHT: 7’

WEIGHT: 220 lbs

EYES: Red

HAIR: N/A

FIRST APPEARANCE: Green Lantern vol. 2 #6 (May/June, 1961)

AKA: Green Lantern

BACKGROUND from the comic books:

Xudarians are a bird race who lack imperialistic tendencies. Though a tranquil and benevolent society, they will defend their planet when required. This peaceful Avian race focuses their efforts on the arts and sciences instead of war which is the reason for their highly advanced civilization.

Tomar-Re is one of the orange-skinned Xudarians and the Green Lantern of sector 2813. His nature to examine things has led him to thoroughly study the sacred Book of Oa. The immortal Guardians of the Universe have recognized this and appointed him archivist and protector of the Book.

Tomar-Re had developed a close friendship with the neighboring sector 2814's Green Lantern, Abin Sur. They constantly called upon each other for assistance in policing their turf. Yet to request help from Abin's replacement Hal Jordan, Tomar-Re remains undecided on the new Lantern.

ATTRIBUTES:

  • Green Lantern ring allows for a protective shield and energy constructs.
  • Constructs are scientific and based upon Tomar-Re's current studies. They tend to be unrecognizable to most.
  • Immensely powerful beak that can be used as a weapon in battle.
  • Fin running across his scalp.

Francis Manapul shares process pieces from his SUPERBOY: THE BOY OF STEEL with Geoff Johns

Before they worked together on FLASH, Geoff Johns and Francis Manapul on a series of Superboy stories that appeared in Adventure Comics and Superman Secret Files. In SUPERBOY: THE BOY OF STEEL, all of these adventures are now available for the first time in paperback, with appearances by Superman, Lex Luthor, Brainiac, Wonder Girl and Krypto the Superdog.

Francis Manapul's shared some Superboy process art from his archives, showing us how an artist on the path to comics superstardom brings his distinctive drawing style from sketched idea to polished end product. Check out his images below!

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Geoff Johns and Francis Manapul's SUPERBOY: THE BOY OF STEEL is available now.

First BATMAN: ARKHAM CITY digital-first chapter available today!

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The first of the previously-announced digital-first BATMAN: ARKHAM CITY stories is now available exclusively in our Digital Store!

In this eight-page story that serves as an interlude between the regular issues (but isn’t necessary to follow the miniseries), Paul Dini reunites with his fan-favorite Detective Comics collaborators Dustin Nguyen and Derek Fridolfs to expand on the events and characters in the ARKHAM CITY comic - particularly on Batman's many villains as they vie for power in this chaotic new city-within-a-city.

Head over to our online store to check it out!

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