What’s New In The New 52: Introducing Wrath
Head into Friday with some pages from SUPERMAN #688
Mon-El's role as Superman's stand-in for Metropolis is threatened by a sudden and mysterious power loss. How can he be the hero he needs to be without any special abilities? James Robinson and Renato Guedes answer the question, with a dash of the Guardian thrown in for good measure. Can you guess who the spy within the Science Police is? Probably not, but guess anyway.
Ed Benes is doing a BATMAN issue. Here are some pages.
Ed Benes is handling art duties on BATMAN #687. You've seen some of the stuff coming after, specifically, Mark Bagley's upcoming work, but why not take a gander at some of Benes' linework?
It's a battle royale in WONDER WOMAN #32
Well, you saw the variant cover by Francis Manapul, so why not check out some interior pages from WONDER WOMAN #32?
An omen of things to come for the TEEN TITANS
Just what happens after "Deathtrap"? Well, lots. In #72 alone, Wonder Girl finds her leadership challenged, the team faces the Fearsome Five and well, you get this as a first page:
BLUE BEETLE co-feature pages? We got 'em
Well, surprise news. There's one co-feature we haven't shown pages from, and that's BLUE BEETLE, which will be setting up shop with BOOSTER GOLD starting with #21 of that series, from writer Matt Sturges and artist Mike Norton. In the first installment, Jaime Reyes has a friendly lunch interrupted by a marauding 50-foot robot. Sound like a fun break? Didn't think so.
Enjoy some Jerry Ordway JSA goodness
Writer/artist Jerry Ordway steps in for a few issues before the new regular team of Bill Willingham, Matt Sturges and artist Jesus Merino take over, and he's got some fun stuff in store. The younger members of the JSA find their headquarters in lockdown mode -- with Flash, Green Lantern and Wildcat stuck inside. Can the junior team break into their own base?
Take a look inside the RAVAGER co-feature
One of the best parts of working on The Source is getting a chance to see stuff in progress, or getting bits of info about the creative process.
How 'bout some FINAL CRISIS AFTERMATH: INK pages?
For the first time in his life, the Tattooed Man feels like a hero. After his turn for the side of good during FINAL CRISIS, the former villain finds himself with a new lifestyle and a welcome change from what he previously knew. But soon the pressure to stay away from his old haunts and temptations start to wear on him.