Fiona Staples and Francis Manapul Win Joe Shuster Awards and a First Look at THE FLASH

The Flash

The Calgary Comic & Entertainment Expo this weekend was full of exciting news. Not only did we premiere lots of art for many of our books coming out this September, but two of our artists were also the distinguished recipients of the 2011 Joe Shuster Awards.

Congratulations to Fiona Staples, who won for Outstanding Comic Book Cover Artist for numerous titles including DV8: GODS AND MONSTERS #1-8 and SUPERMAN/BATMAN #79. Congratulations are also in order for Francis Manapul, who won the award for Outstanding Comic Book Artist for a variety of books including ADVENTURE COMICS #6, SUPERMAN/BATMAN #75, and THE FLASH #1-6.

And speaking of Francis Manapul, check out the above image for a first look at this fall’s THE FLASH #1, where he’ll be serving double duty as the artist and co-writer along with Brian Buccelato. And if that’s not enough, head over to COMIC BOOK RESOURCES as they have the gorgeous first spread from issue #1. Keep checking back to THE SOURCE for more info, art, and details about THE FLASH in the coming months.

DCU in 2011: Phil Jimenez Signs Exclusive to DC to Draw ‘ADVENTURE’

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Phil Jimenez has come home.

To DC Comics, naturally! Phil returns to DC after signing an exclusive contract, and I have the pleasure and privilege of working with him. You see, Phil will be drawing and co-plotting an arc of ADVENTURE COMICS starring the “Legion Academy”—with characters he had a hand in creating, along with co-plotter and scripter Paul Levitz.

Of all of the tentpole DC franchises, Phil has never tried his hand at the classic, iconic 31st century—and as the editor of both LEGION OF SUPER-HEROES and ADVENTURE COMICS, I was stunned when he asked to draw a short story in LEGION #6 this past year. And the more Phil came in to drop off his penciled pages, the more we kinda geeked out on all things Legion—particulary Paul’s powerful and lengthy run during our hardcore fanboy days.

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We commiserated on how Paul’s “Encyclopedia Galactica” info-captions would astoundingly have compelling stories within 15 words. And reveled in our mutual fondness for the gruff Timber Wolf. And gushed over Keith Giffen’s unique design of the future—with windowless, curvy structures—and how it still resonates in 2010 as it did back in 1982. With Phil I found a kindred spirit, perfect for all the good stuff going on in the LEGION world right now.

Phil’s ADVENTURE arc begins in February with issue #523, where we really get to know the new class attending “Legion Academy.” These teens-in-training are perfect vehicles for anyone wanting to know more about the future world of the DC Universe. “Academy” is a ground-floor entry point for any new reader that feels daunted by the myriad players and planets of DC’s 31st century.

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So, welcome back, Phil! I couldn’t walk away from this Source story without showing off Phil’s cover and a few pages from ADVENTURE #523! And what’s next after this arc? Welllll… I’ve gotta keep SOME surprises for another Source announcement!

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Jeff Lemire talks THE ATOM and SUPERBOY

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“Hey Jeff, this is Geoff Johns!” That’s not what I expect to hear when I pick up the telephone. But it’s exactly what I did hear a few months ago. I’d been working away on inks for an issue of Sweet Tooth (the Vertigo series that I write and draw) one afternoon when my wife passed me the phone. “Who is it?” I mimed to her, annoyed at the disturbance. She just shrugged. I rolled my eyes, put down my brush and answered. “Hello?”

“Hey Jeff, this is Geoff Johns!”

And that’s how I ended up writing The Atom co-feature in Adventure Comics and then the new monthly Superboy series. Well, truth is told there was a bit more to it than that. I had to pitch and develop my ideas for both characters with DC Editors and all around great guys, Matt Idelson and Brian Cunnigham, over the course of a three or four month period. But really it all kind of happened rather quickly.

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I never really set out to write superhero comics. Don’t get me wrong, I love them, always have. But my work has always tended to skew pretty far from the mainstream. I started out self-publishing my own mini-comics, and from there went on to do a number of indie graphic novels like the Essex County Trilogy. I was, and am perfectly happy working on these more personal projects. So I never expected, or lobbied to get writing gigs in the DCU. But when Geoff called and offered me the chance to do it, I didn’t hesitate for a minute.

I grew up reading DC comics. Wolfman and Perez’s Teen Titans and Levitz and Giffen’s Legion of Superheroes were the duo-bibles of my own personal religion as a kid. I know the DCU in and out. So the opportunity to put my stamp on one or two DC characters was too good to pass up. And luckily I’m a really fast artist, so figured I’d still able to balance my “personal” work like Sweet Tooth, with Superboy, The Atom and whatever else came up at DC. Boy was I ever wrong.

Again, don’t get the wrong idea, I am able to keep up with, and in most cases stay way ahead of, all my deadlines. What I was wrong about was presuming I’d never care as much about the DCU stuff as my creator-owned work. Because as soon as I started digging in the rich old soil of Smallville, and messing around with Superboy’s life, I knew that this project was going to be every bit as important to me as anything I’d ever done before.

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I grew up on a farm, in a really small town in Canada that may as well have been Smallville. So it isn’t hard for me to inject some of that experience into the book. And I love the idea of telling truly rural superhero stories. So many of today’s comics are set in urban centers, especially superhero comics. So it is really important to me to allow the new Superboy book to fully exploit it’s country setting and hopefully bring a unique point-of-view to the monthly comic racks.

But what about Superboy himself? What do I hope to say about the character of Conner Kent anyway? What makes him unique, other than the where he lives? Well , to me Kon-el is the ultimate outsider. He never had anything resembling a childhood, or a real family or parents. He was born in a lab and missed out on all of that. And. As a result he’s never had anyplace to truly call home. So, as our series starts, he’s finally trying to allow himself to find both of those things, family and community, in Smallville.

Community…that leads us to the supporting cast of the book…and to Geoff Johns again. In Geoff and Francis Manapul’s amazing Adventure Comics run with Superboy they set up some great new characters in Simon Valentine and Lori Luthor. Basically they gave me two incredible gifts. Simon is brilliant young man who is either destined to become Superboy’s greatest friend, or his greatest enemy. And Lori is Lex’s niece, so she and Conner are (sort of ) cousins, yet clearly have some unresolved feelings for each other. This is more rich soil to farm with. So expect them to be a BIG part of Conner’s life and adventures moving forward.

And then there’s THE PHANTOM STRANGER. One of my all-time favorite DC characters ever since he showed up in the classic Alan Moore Swamp Thing run, which I worshipped as a kid (and still do). You might not expect a dark and mysterious guy like The Stranger to pop up in pastoral Smallville. But he’ s going to be there a lot. Which might clue you in that there are a few dark and sinister things going on under that small town veneer that are going to make Superboy’s life even more interesting as my first year on the book unfolds.

All that and Krypto too. What more can a writer ask for?

I’d be remiss if I didn’t mention Pier Gallo, the artist on Superboy -- and colorist Jamie Grant. He is simply fantastic. He’s enthusiastic, passionate and talented. He brings an insane amount of detail into each panel, but never loses sight of the importance of clear storytelling. He has a singular voice to be sure, with a real European influence in his drawing. Between the two of us, I really think that Superboy is going to be a very unique comic.

The book hits in November, and If Pier and I do our jobs right, you’ll become as passionate about the new adventures of Superboy as we have. And if not, I’ll sic The Phantom Stranger on you.

See you in November, and until then, be sure to check out The Atom in Adventure Comics!

DC Comics pairs with TASCHEN on comprehensive DC history book

Got some news for you, gang. Ready?

DC Comics has joined forces with TASCHEN, the book publisher known for its eye for quality, modern design aesthetic and high-end art books spotlighting every aspect of culture: from art and movies to lifestyle and comics, to produce an ultra-comprehensive, extra large book so impressive, even super heroes may have trouble lifting it.

Clocking in at nearly 15 pounds and with over 650 pages (all details are still to be confirmed), 75 Years of DC Comics: The Art of Modern Mythmaking features more than 1,500 images -- including covers, interiors, original illustrations, photos, film stills and collectibles -- using the latest digital reproduction technology to bring you the characters, stories and the creators that brought them to life as they've never been seen before.

And the man behind the story, telling the tales? None other than Paul Levitz, former DC Comics Publisher and upcoming LEGION OF SUPER-HEROES and ADVENTURE COMICS writer. Paul's in-depth essays trace the history of DC Comics, from its pulpy beginnings to the modern era.

The book also features massive fold-out timelines and an in-depth appendix that includes bios on artists, writers, editors, publishers and actors -- what more do you need to know before this gets an automatic spot on your wish list? I was sold before I even started writing this here blog post.

Stay tuned to The Source for more details.

The Eisner Awards honor the DC Universe

The Eisner Awards, considered by many to be "The Oscars" of comic book industry awards, unveiled their nominees for the 2010 ceremony today, honoring a number of key DCU titles and creators. The winners will be named at the San Diego Comic-Con International, the largest and oldest comic convention in the United States.

Let's check out the DCU nominees, shall we?

SINGLE ISSUE:

"Blackhawk and the Flash: Firing Line," by J. Michael Straczynski and artist Jesus Saiz presents the reader with a tale both classic and modern, reminding us of the best, off-the-wall superhero team-ups of the past with a modern twist.

LIMITED SERIES OR STORY ARC:

BLACKEST NIGHT, by Geoff Johns, Ivan Reis and Oclair Albert. The epic, universe-spanning mini-series gets a much-deserved nod from the Eisner judges, capping off an epic year of compelling storytelling and jaw-droppingly beautiful art that dominated the comic book landscape.

WRITER:

Geoff Johns, ADVENTURE COMICS, BLACKEST NIGHT, THE FLASH: REBIRTH, SUPERMAN: SECRET ORIGIN, GREEN LANTERN. What more can be said about Mr. Johns? He's had a stellar year, hasn't he? Whether he was bringing back the dead and spreading mutli-colored rings in the pages of BLACKEST NIGHT or reinventing one of modern folklore's greatest legends in the pages of SUPERMAN: SECRET ORIGIN, Johns has blazed a trail through the DC Universe by making the supremely difficult look almost too easy: strong stories focused on strong characters with no frills.

WRITER:

James Robinson, JUSTICE LEAGUE: CRY FOR JUSTICE. One thing that can be said about James Robinson as a writer? He takes risks. Whether it's launching a Justice League series starring Congorilla, a blue-skinned Starman and Supergirl or having one of comic's most-beloved heroes shoot an arrow through Prometheus' skull, let it never said that Robinson plays it safe. And it's that daring and innate knowledge of these characters he so clearly loves that earned him the nod.

PENCILLER/INKER and COVER ARTIST:

J.H. Williams III, DETECTIVE COMICS. You read that correctly. That's TWO nominations for superstar artist J.H. Williams III, who clearly poured everything he had into his work on the Batwoman story in DETECTIVE COMICS. It was Williams' vivid and constantly evolving linework and almost innate ability to construct a page -- and do so in new, daring ways -- that helped literally paint a picture for the reader, and really made Kate Kane a real, breathing character for an entire generation of fans to embrace. Bravo!

PAINTER/MULTIMEDIA ARTIST:

Mauro Cascioli, JUSTICE LEAGUE: CRY FOR JUSTICE. Mauro Cascioli made tragedy real. With his realistic, painterly style, Cascioli brought a gritty, three-dimensional sensibility to a book that collected some of the most daring and imaginative characters in the DC Universe. Whether it was a battle of super-powered beings among the clouds or an archer's aching sense of loss, Cascioli has it covered, and he showed as much in the pages of CRY FOR JUSTICE.

COLORING:

Alex Sinclair, BLACKEST NIGHT. Seems like a no-brainer, huh? But not just anyone could bring to life the vivid spectrum of powers and emotions that form the crux of BLACKEST NIGHT -- from the raging reds of Atrocitus to the serene blues of Saint Walker and everything in between, Sinclair made the reader feel like they were on the sidelines watching a fantastical light battle that was as awe-inspiring as it was dangerous. Not an easy feat, folks.

GRAPHIC ALBUM (REPRINT) and PUBLICATION DESIGN

ABSOLUTE JUSTICE. Alex Ross, Jim Krueger and Doug Braithwaite's all-star story of of heroes and villains got the spruced up Absolute treatment in 2009, and we finally got to see the book's amazing artwork presented as it should have been -- in an expanded and high-end format.

Congrats to all the nominees. 2009 was a major year for the DC Universe, and it's great to see the talent recognized by such an esteemed organization. Fingers crossed!

Gaze at Marcos Marz LAST STAND variant, and more...

Before ‘The 100-Minute War’ kicks off in THE WAR OF THE SUPERMEN, writers James Robinson and Sterling Gates warm up the guns of war in THE LAST STAND OF NEW KRYPTON. What better way to warm up for the super-event than by taking a look at artist Marcos Marz’s variant for the first issue?

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And, as an added bonus, here's Aaron Lopresti's variant cover to ADVENTURE COMICS #8:

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How about a look at the two ADVENTURE COMICS #7 covers?

The title is pretty ominous on its own: ADVENTURE COMICS STARRING BLACK LANTERN SUPERBOY. But what more can we reveal about the issue, which is written by Tony Bedard, with art by Travis Moore? Well, we're not saying a ton, but ADVENTURE COMICS editor Brian Cunningham has a few choice words to share. Take it away, Brian:

“The title is ‘What Would Black Lantern Superboy Do?’ and, frankly, he says some pretty outrageous stuff, plumbed from Conner’s subconscious. In fact, we learn an awful secret about Conner that I kinda wish I didn’t know. And there is a HUGE moment in this issue that no one will want to miss. ADVENTURE #7 tangibly pushes the character forward in a way you won’t expect.”

Thanks, Brian. And now, let's take a look at these covers, shall we? From Aaron Lopresti and Francis Manapul.

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ADVENTURE COMICS #7 hits 2/10.

DCU IN 2010: MORE ON BRIGHTEST DAY: THE FLASH

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AS: In meetings I’ve heard BRIGHTEST DAY referred to, offhand, as DCU: REBIRTH. Being the sleuth I am, this leads me to believe it’s more than just a concentrated series, right?

DD: Definitely. BRIGHTEST DAY isn’t just a single book. Like BLACKEST NIGHT, it’s an event that happens across the entire DC Universe, affecting a number of titles.

Following BRIGHTEST DAY #0, we’ll be bannering a number of new and ongoing series with BRIGHTEST DAY, which will let readers know these books are key to the entire BD story.

AS: Keeping my detective hat on, since Geoff is writing BRIGHTEST DAY and we announced he’d be writing a new FLASH ongoing coming right around the same time…

DD: Correct. We’ll be launching the new FLASH ongoing series, by Geoff and Francis Manapul in April with a BRIGHTEST DAY banner, and there will be several more titles utilizing it come May and June.

With this book, Geoff and Francis are really bringing Barry Allen back into the spotlight and cementing him as the premiere Flash in the DCU in his own monthly. It’s no secret that I’ve been waiting a long time to se this. I’ve always been a huge Barry fan, and I can say that Geoff and Francis are reinvigorating him as a character in much the same way Geoff did with Hal Jordan. Should be fun.

AS: You mentioned other titles?

DD: Yup.

AS: Alright Source readers, swing back in an hour for more BRIGHTEST DAY news. It’s a busy Monday!

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