A few variant covers for Tuesday

We’ve got another batch of nice variant cover art to unveil, including Lee Garbett’s gritty BATMAN: RETURN OF BRUCE WAYNE #6 cover, Gary Frank’s masterful take on GREEN ARROW #5, another lovely Cliff Chiang JUSTICE LEAGUE: GENERATION LOST cover, Gene Ha’s take on SUPERMAN #704 and the latest from regular WONDER WOMAN and ZATANNA variant cover artists Alex Garner and Brian Bolland, respectively.

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A look at Gary Frank’s process

We can never get too much great art, and more specifically, we can never get too much Gary Frank art. His run on SUPERMAN: SECRET ORIGIN has been, well, superb. His knack for detail and widescreen storytelling has brought a new level of modernity to the tale of the boy from Krypton, while not sacrificing an inch of the story’s legacy.

We’ll have a more formal preview of the final issue of SUPERMAN: SECRET ORIGIN tomorrow, but here’s a look at some of Frank’s initial Metallo designs plus a three-page sequence from the series, featuring pencils-to-inks-to-colors. Enjoy!

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DC NATION: Toronto, Here We Come!

It seems like just yesterday that I was flying back from San Diego Comic-Con and now here we are and it’s time for the next stop on the 2010 DC Nation tour – Fan Expo Canada at the Metro Toronto Convention Centre in Toronto, Canada from August 27-29. Actually it was just yesterday that I flew back from San Diego, but thanks to the magic of comics you’re reading this weeks from when I write it. I’m jealous because when you read this it’s almost football season and you’ve seen a certain action movie that hasn’t come out yet as I’m writing this. I’m also hungry and I’m assuming that when you read this I’ll have eaten something. I’m really looking forward to the future—one month from now. Huh? Oh, right! I was talking about Fan Expo Canada. While I won’t be able to attend, I’m counting on all of our fans in Canada to keep a great tradition alive. You see, I once mentioned Dan DiDio’s love of the strangely flavored potato chips that are available in Canada. The DC Nation fans responded by brining Dan a TON of chips to the show.

So get ready and let’s try to top last year’s haul by bringing an obscene amount of chips to the show. I’m not kidding, people – let’s make this dream a reality. Only you can make this happen! Bring your odd-flavored chips to any of our industry-leading panels and have a blast asking questions of your favorite creators while delivering your contribution to the chip bonanza. Speaking of guests, check out this stellar rundown of who you can meet at Fan Expo Canada:

Gary Frank, Andy Kubert, J. Michael Straczynski, Ethan Van Sciver, Doug Mahnke, Brian Azzarello, Darwyn Cooke, Francis Manapul, Yanick Paquette, Cameron Stewart, Jeff Lemire and many more!

That’s some list, huh? If you are anywhere near Canada I’d suggest getting the heck over to this show, otherwise you might miss something totally awesome. And be sure to say hi to Dan for me when you drop off the chips.

Be seeing you,

Ian Sattler, Senior Story Editor DCU

A few variant covers for Wednesday

Want to see Ivan Reis draw a Superman/Flash race? Mike Allred take on the Teen Titans? Two Wonder Woman covers? Well, you’re in luck, as we have all that and more. Specifically, we’ve got a first look at Ivan Reis’ amazing ACTION COMICS #892 DC 75th variant, Mike Allred’s TEEN TITANS #86, Gary Frank on SUPERMAN: SECRET ORIGIN #6, Frazer Irving’s BATMAN AND ROBIN #14 variant and Don Kramer and Alex Garner’s cover and variant to WONDER WOMAN #602. Enjoy!

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A few variant covers to close the day

I get it. It’s the middle of the week. Your brain is fried. You don’t want a long post explaining anything complicated. How about some nice art to click on and get you through your last hours at work?

Especially when it’s stuff like BRIGHTEST DAY #5 – one by Ivan Reis and another by David Finch, FIRST WAVE #3 by Lee Bermejo, JUSTICE LEAGUE: GENERATION LOST #5 by Tony Harris and SUPERMAN: SECRET ORIGIN #6 by Gary Frank.

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SUPERMAN vs. METALLO – Round 1

Writer Geoff Johns and artist Gary Frank put Superman against Metallo – for the first time! Witness the origin of one of Superman's most-feared foes, as an attack by Lex Luthor goes awry and gives birth to the evil of Metallo. Can an inexperienced Man of Steel handle a foe with a heart of Kryptonite? Meanwhile, Lois Lane and Perry White are close to revealing Luthor as the monster that he is – but are they willing to pay for that truth with their lives? Questions are answered, new ones are raised and the modern re-telling of Superman’s origin continues to rumble to its epic conclusion.

SUPERMAN: SECRET ORIGIN #5 hits 4/7.

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No limits: J. Michael Straczynski on SUPERMAN, WONDER WOMAN

One of my very earliest memories as a child is of watching one of the Superman cartoons created by Max Fleischer. In particular, a scene where Superman puts his cape around Lois Lane to protect her from an incoming tide of molten metal. I imprinted on that image like a baby duck, and a lot of what I laughingly call my personality was formed in that moment (which is why a cel-recreation of that image is one of the first things you see upon entering my home, before you get to the row of wall after wall covered with artwork by Alex Ross, Curt Swan and others, as well as just about every bit of Superman memorabilia ever produced).

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As a kid growing up in the mean streets of New Jersey, Superman was an icon for me. It was a tough life: we moved about 21 times in my first 17 years, we didn't have much money, and every day was a struggle. When I told grown-ups that I was going to be a writer someday, nobody listened, nobody thought I had a chance, because as far as teachers were concerned, kids like me who came from nowhere and nothing were dead-enders, destined to end up working at the gas station at best or in jail at worst. Writers were supposesd to be Ivory Tower guys with leather patches on the elbows of their smoking jackets, who went to the right schools and came from the right families. I lived in the world of No, a place populated by bullies and street fights and tenements, with no possibility of escape.

But Superman...see, Superman could do anything. If there was someplace he didn't want to be, he could just fly away. And he couldn't be hurt, which to a kid who got beat up pretty regularly in fights and elsewhere was a pretty attractive idea. Superman taught me the morals and ethics I draw up on to this day: to play fair, not to lie, and to be willing to put yourself between harm and those you care about.

If Superman could do anything, then maybe I had a chance. Maybe I could become a writer. Maybe I could even learn to fly. That symbol, the S, became a badge for me, and growing up I always made sure I had it somewhere on me, like a shaman's charm. That may sound silly, and from a grown-up perspective it probably is silly, but as Henry Kissinger once said, it has the added benefit of being true. And it helped me get through the hard times, which is why I continue that practice to this day...right now it's on a key-chain in my pocket.

For me, and I suspect for a lot of people, that symbol stands for the belief in our own potentiality, in what we think we can do, and try, and aspire to. I was watching the news recently, and they were showing Palistinian protests, followed by a story on the night life scene in LA, and later on, a live report from London about somethingorother...and in the background of each of those stories there was somebody wearing a Superman t-shirt or cap. It's universal.

And there's a reason for that, a secret no one knows, but I'll tell you, because of how long I've known you, and our longstanding friendship.

And the secret is this:

The Superman symbol is Kryptonian for No Limits.

And whether or not you speak Kryptonian (or Kryptonese), you know that...you know that deep inside, where even the cynicism of the world cannot reach.

I've told this story before in other places, so at risk of being redundant...back a few years ago, I was at the Chicago Comic Con when a guy in his 20s grabbed a bunch of expensive stuff off a table in the dealer's room and made a run for it. The ownere ran after him down the aisle, yelling "stop him!" As he came in my direction, everybody parted like the Red Sea.

I brought him down like a gazelle, and we held him untnil the police showed up.

Afterward, one of the con organizers said to me, "Why'd you do that? He's a big guy, you could've gotten hurt."

And I pointed to where I'd been standing when it happened: right in front of a ten-foot-tall cutout of Superman. "How could I stand in front of that, in front of him," I said, "and do nothing?"

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As Superman has been for me, so Wonder Woman has been for a lot of women readers, so the chance to dive into that character is something I'm eagerly anticipating. This is a strong, mythic, powerful character who for some time now has been kind of drowning under the weight of her own mythos, so I'm looking forward to paring away some of the layers of debris and undergrowth that have piled up around her in order to get to the core of the character. Coming from the world of TV and film, the first rule you learn is to service the main character more than anything else, so I'll be writing with an eye firmly fixed on that rule.

As part of that process, we're going to be looking more closely at how Wonder Woman appears, and functions, and her role in the DCU...and what we have planned will, we hope, come across as dynamic and powerful as she deserves to be.

Similarly, we plan to bring Superman back to his roots, to really explore who he is...how he sees us, and how we see him, in a much more personal way than we've seen in a while. This is part of a larger effort that will have national ramifications, but I can't say much more about it than that for now. Keep an eye on this website for more information when the time is right...but for now, let's just say that Superman may be a lot closer in proximity to you, the reader, than you ever guessed.

To kick off both efforts by appearing in the anniversary issues of these two characters is a great opportunity, and a good jumping-on point for readers.

If there's any other message in this to readers, it's in these two characters as icons of hope, that it doesn't make any difference where you come from, or where you went to school, or who you are, there's hope. That a kid from Jersey with Superman as the icon that kept him alive for years would one day end up writing the character is as absoutely unlikely as it is utterly inevitable. And if that's true for me, it's true for you, if you follow your dreams and your passions in full flight.

Don't give up.

No Limits.

It's never too late to learn to fly.

J. Michael Straczynski

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