Tempest returns. What more do you need to know?

My magic blogging eight-ball just said “Blogging Will Be Light,” so I’m going with that. Oh, and it’s a holiday weekend. So, yes. This’ll be it for today. But, we bring you some more fun news from the DCU editorial gang. Specifically, TITANS editor Brian Cunningham. What say you, BC?:

“When is Tempest coming back?”

More often than not, that’s been the question fans have asked since TITANS launched last year. A fair query, since Tempest has been AWOL from the DC Universe for seemingly longer than the Jonas Brothers have been alive.

So when we here at DC started discussing the mega-event called BLACKEST NIGHT with writer Geoff Johns, we all figured, “Let’s bring back Tempest in style.” So, bam, he’s smack in the early pages of BLACKEST NIGHT #1. If that’s not style, I don’t know what is. (This coming from a guy who still wears shirts from 1996. But let’s stay on topic here.)

Okay. So, Tempest is in BLACKEST NIGHT. Huzzah! But then we figured, “Wait. Let’s find out where he’s been first. What’s kept him from appearing all this time?” That’s where TITANS #15 comes in. We find out exactly where he’s been and what he’s been doing. It’s pretty heavy and not for non-swimmers.

With the spiritual guidance of Geoff Johns, writer J.T. Krul plumbs the depths of Garth’s soul, while also setting him up for his future in the DC Universe, which we’ll see in BLACKEST NIGHT and in the BLACKEST NIGHT: TITANS mini-series. With gorgeous art by José Luis and J.P. Mayer, I really feel that we’ll surprise people. The last page of TITANS #15 alone should certainly provoke a strong reaction.

So mark you calenders for July 15 when TITANS #15 goes on sale in comic stores. In the meantime, check out this exclusive excerpt below. It’ll whet your appetite for more Tempest. And quite possibly some shellfish.

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A day in the life of SUPERMAN Group Editor Matt Idelson

Ooh, look! Sun! I’d forgotten what that looks like. Neat. Today is a bit of a mad scramble (what else is new?). We’re wrapping up the lettering on ACTION COMICS #879, which means a lot of emailing back and forth with letterer Rob Leigh. He’s come up with what I think will be a stronger method for the English subtitles to all the crazy Kryptonian speak going on in the book. And if this doesn’t work, we’ll just start throwing sound chips in the book!

Also on the lettering front, Jared Fletcher, the man of many nicknames, has delivered the first round of lettering for SUPERGIRL #43, and man, he’s done a great job. We asked him to do something slightly different here for Kara’s narrative, and he’s knocked it out of the park. The whole issue is somewhat of a departure, and definitely a pallet cleanser after a few months of asking, “Who is Superwoman?” I swear, Sterling and Jamal are getting exponentially better by the issue! One guy who’s not getting better is Jon Sibal, and that’s only ‘cause he couldn’t possibly get any better. The fact that he’s crazy in a good way just adds to the joy of working with him. And Wil tells me that Jon tells him that he’s inking the last page of the issue right now. I love it when a plan comes together.

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Just got a couple of new pages in from Javi Pina for the upcoming SUPERMAN ANNUAL (#14 for those of you keeping score at home). Man!!! I’ve worked with Javi before on a few occasions, but this is far and away the best work I’ve ever seen him do. James challenged him with a heck of trippy story, and I’m already dying to see what people think of the finished book. Well, August will be here before I know it.

Spend a few minutes chatting with Wil about a new costume we’re having designed for… well, don’t want to give that away here, in case anyone is actually reading this thing. The main design is coming along nicely, and we’re at the stage of small tweaks in order to put a wrap on the thing. This is going to be very, very cool.

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Hmm. It’s 3. I should eat something, but what? Right, what I always eat—oatmeal. 10 minutes and a burnt tongue later, I’m back in action. Associate editor Sean Ryan brings by a couple of rate requests for me to sign. These are the forms by which we set up page rates for artists, writers and so forth. He’s been bringing me an awful lot of these lately. I’m starting to suspect he’s hiring childhood friends or something. I’ll have to talk to him about this.

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Engage in a quick conference call with Wil and Greg Rucka about some costume designs going on there—next week is the start of July, and that means beginning work on our covers for the books that come out in December. Yes, we actually do plan ahead that far. Actually, in the case of the Super-books, we’re planned through the end of 2010. In fact, I take this blessed opportunity of basking in Greg’s phone aura to confirm when the Super-writers will engage in our next weekly chat—next week looks iffy. Something about a holiday. We’ve got a lot of work to do before we all meet up in San Diego in the days leading up to the convention, putting a lock on a few dangling items for 2009 publication so we can spend the time in sunny CA (indoors, ‘natch) planning in great detail the first half of 2010 and as much of the 2nd half as we can squeeze in.

Oop. Just missed a message from James Robinson. He’s included an odd comment on one of the profile pieces for August’s SUPERMAN SECRET FILES. My, he’s in a jaunty mood. It seems we’ve missed some important elements in the costuming of a non-superhero character, and he’s absolutely correct. He’s also got an idea for the inclusion of some characters normally outside the realm of Superman for next year’s stuff, and ways to maybe spin them out into something of their own afterwards. No wonder he’s so jaunty.

I mark the 4:00 hour by sending my lettering notes on SUPERGIRL #43 to writer Sterling Gates, and then remember he’s on a plane to Dallas for a convention. –Sigh- my day is empty without some correspondence from Sterling. Oh, well.

I settle instead on talking to Pete Woods, who’s juggling putting together a map of Kandor for the SECRET FILES while drawing the next issue of WONK (World of New Krypton). Man, he just gets better and better, and his design sense is incredible! He’s done an amazing job in less than half the series with really establishing New Krypton as a world, with all sorts of different sets and locales.

The feeling begins to return to my tongue just as a new batch of pages arrives from Gary Frank for SUPERMAN: SECRET ORIGIN #2. There really aren’t adjectives that I can apply to Gary—he’s in his own stratosphere, and I feel stupidly lucky to be working with him and Geoff on this project—it’s simply incredible. Geoff seems pretty happy with the pages, too, and I’m glad to have an excuse to give Gary a call, even if most of our conversations steer towards the insanity of Italian politics. (Don’t ask.)

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I’m in the middle of typing up some notes on SUPERGIRL ANNUAL #1 for the mysterious colorist who only goes by the name “Blond” when Liz Gehrlein drops off two more jaw-droppingly cool profile pages by Francis Manapul for SECRET FILES. Ab-so-lute-ly stunning! This is going to be one special Secret Files. This reminds me that I need to turn in pages from artist Matt Camp, who’s illustrated a seven-page story that James wrote for the book. So many balls in the air, so few hands…

And then the next thing I know, it’s 6:00, time to close up shop, blow out the candles, and be thankful another day that I didn’t set my office on fire.

A few links of note for Friday

Two big things are hitting the wire today, so here we go:

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Today marks the launch of IGN.com’s BLACKEST NIGHT mini-site, which will include previews, interviews, video features, sketches and more exclusive content. Check back on Monday, as IGN will unveil a first look at GREEN LANTERN #43, a BLACKEST NIGHT prologue, and early next month they’ll debut an exclusive video feature about the upcoming event, including interviews with series writer Geoff Johns. So, swing on over and bookmark the page, as it’ll be the hot spot for all things BLACKEST NIGHT.

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The New York Tmes unveiled their weekly graphic novel bestseller list, and Grant Morrison, J.G. Jones, Carlos Pacheco and Doug Mahnke’s superhero epic FINAL CRISIS is atop it, in its first week of eligibility. Neat, huh?

Other notable titles making the list: BATMAN R.I.P., BATMAN: THE KILLING JOKE, JOKER and BATMAN: THE DARK KNIGHT RETURNS.

Can't wait for BLACKEST NIGHT?

Neither can we. But what to do before the first issue hits? Well, did you know that GREEN LANTERN #43 is a prologue to BLACKEST NIGHT? No? That's a shame. Well, this issue, featuring story by some guy named Geoff Johns and the new regular GREEN LANTERN art team of Doug Mahnke and Christian Alamy not only gets the ball rolling toward the big summer event, but it also features the birth of the first Black Lantern. Discover who he is and just what his connection to death -- and in turn, the Black Lantern Corps -- really is. Wait, words aren't enough? Fine. Here are two pages from the issue. Enjoy!

GREEN LANTERN #43 hits 7/8.

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A few links of note for Monday

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Here's hoping everyone had a relaxing weekend. In case you weren't chained in front of your computer, here are a few of the things you may have missed while enjoying two days or rest.

AIN'T IT COOL NEWS unveiled an exclusive first look at BATMAN AND ROBIN #1, by Grant Morrison and artist Frank Quitely. Keep your eyes peeled for a few more sneak peeks at the first issue in the coming days.

Pete Tomasi talks to NEWSARAMA about the road to BLACKEST NIGHT. The site also talks to writer Keith Giffen about the newly-announced MAGOG series, and to the supremely talented J.H. Williams about Batwoman's upcoming stint in DETECTIVE COMICS.

COMIC BOOK RESOURCES' Jeff Renaud chats up artist Mark Bagley to discuss the conclusion of TRINITY, while the folks io9 explain why TRINITY is a 'metaphysical epic done right.

• Remember that time back in March, where BATMAN Group Editor Michael Marts talked to IGN about his very neat photo board, featuring key characters heading into BATTLE FOR THE COWL? Well, now that the major event is over, the board has changed, which means Marts once again drops hints as to where your favorite characters are going, in a chat with IGN's Dan Phillips.

• And last, but certainly not least, THE NEW YORK TIMES unveiled their Graphic Novel Bestseller list for the week of May 23. Of note: SUPERMAN: NEW KRYPTON, BATMAN: THE KILLING JOKE, BATMAN R.I.P., JOKER and BATMAN: THE DARK KNIGHT RETURNS all made the list.

Just another day for the SUPERMAN Group Editor

Hey folks! As usual, we have our regular “From the Editors” post  coming your way. Being the diligent worker we all know and love, Matt Idelson  managed to give us his entry early, as he made his escape to the distant land  of Barcelona. Enjoy...

Spring has reverted to summer here in New York, which would be a nice thing if I could have class outside. Alas, I have a job to do, and panic’s starting to set in. The offices close early today going into Memorial Day weekend, and of course we’re closed Monday. Which means aside from Tuesday, I’ll be out of the office for a week and a half, attending a convention in Barcelona.

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Tops on the priority list is putting a wrap on ACTION #878, the first of a two-part story by Greg Rucka & guest artist Diego Olmos that introduces us to a new pair of Kryptonian sleeper agents. Once I’m done giving the lettering a final pass, it comes down to waiting for the trusty and reliable Rod Reis to keep feeding us pages of color to go over. I know already that assistant editor Wil Moss and I will be reviewing pages over the course of the weekend so Rod can have the final colors ready for us when we come in Tuesday morning.

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Not far behind that is keeping things moving on the ACTION ANNUAL, which comes out the week after ACTION #878. Greg’s done a very different story for this one, and it’s coming together beautifully. Pere Pérez, who knocked it out of the park with the GUARDIAN SPECIAL last fall, is doing all 40 pages of this one, and it’s pretty awesome. Right now I have to start reviewing Mazi’s colors for the book—they’re gorgeous, but of course I have to go over them with a fine-tooth comb and make sure everything is as it should be. The guy can color, though, no question!

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My focus is broken when Wil, associate editor Sean Ryan and editor Liz Gehrlein pop in for our daily session of updates, problem solving and movie reviews. Today I discover that neither Liz nor Sean had seen “Taxi Driver” before the past weekend. I am appalled. Some of our discussion centers around actual work, in this case some ideas Geoff Johns has had for his contribution to the upcoming SUPERMAN SECRET FILES. Geoff has an alteration in mind that opens up some interesting possibilities …

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The gang leaves to do their thing, and I get back to ACTION – but  wait! An excellent colorist who goes by the name “Blond” has accepted our offer to color the upcoming SUPERGIRL ANNUAL since our regular SUPERGIRL colorist, Nei Ruffino, is way too busy. That’s the good news. The bad news is that this means I have to establish a pay rate for him—I’m guessing he won’t do this for free out of love for the medium.

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Oh, look – it’s almost 1. Gah! Clearly I’m not getting out of here when the offices close. That’s cool—I have the best job in the world anyway. Leisure and cookouts can wait. Especially when I get an email from David Macho in Spain, with Santiago Arcas’ colors for the first installment of our Captain Atom co-feature, which will debut in ACTION #879. David says in the email that we’ll be stunned by what we see. He wasn’t kidding!!!!!! Man, I can’t wait for that issue to come out. The readers are definitely in for a treat!

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The phone rings and Jim Fletcher of DC Direct fame is on the line with some Superman-related questions, mostly of the “will this character be around a year from now?” variety. They do really cool stuff down there, and I’m eagerly awaiting my Mike Carlin action figure.

Cue a discussion over Rocket Reds with SUPERMAN artist Renato Guedes, figuring out what the tomb of Zor-El is going to look like with Pete Woods, going over lettering corrections for SUPERGIRL #42 with Sterling Gates, a new idea from Geoff (him again?!?) about the end of SUPERMAN: SECRET ORIGIN #2, annnnnd the end of the day has finally arrived! Well, it’s 1 o’clock somewhere …

A few links of note for Wednesday

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This gloomy weather has us here at The Source feeling a tad under the weather, so apologies for using the "blogging will be light" cliché today. But, we do have a slew of places for you to visit as you wait for a full recovery.

Geoff Johns spoke to Andrew Smith, from the SCRIPPS HOWARD NEWS SERVICE about FLASH: REBIRTH:

Why do it? Why bring back Barry Allen, after a heroic death and successful replacement?

Johns: I think that's what the series is all about. The answers are all in there. But whenever I get on these characters, my goal has always been to kind of rebuild their world, their mythology, like with Green Lantern and JSA.

Barry Allen is, like Hal Jordan (in "Green Lantern"), sort of a centerpiece to the Flash. With Barry Allen, there's something clear I want to do and I want him to do it. For me, he's the character that's going to facilitate the stories I want to tell.

Johns also spoke to IGN's Dan Phillips about a wide array of topics, including BLACKEST NIGHT, FLASH: REBIRTH and the return of Superboy in the pages of ADVENTURE COMICS.

IGN also has a few preview pages from the BATTLE FOR THE COWL coda, GOTHAM GAZETTE: BATMAN ALIVE #1.

• Speaking of the Red Circle characters, COMIC BOOK RESOURCES' Jeff Renaud spoke to writer J. Michael Straczynski about the four one-shots and his upcoming stint on THE BRAVE AND THE BOLD.

• Had a chance to check out pages from THE LAST DAYS OF ANIMAL MAN #1? Well, MYSPACE COMIC BOOKS has a lengthy preview.

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