No limits: J. Michael Straczynski on SUPERMAN, WONDER WOMAN

One of my very earliest memories as a child is of watching one of the Superman cartoons created by Max Fleischer. In particular, a scene where Superman puts his cape around Lois Lane to protect her from an incoming tide of molten metal. I imprinted on that image like a baby duck, and a lot of what I laughingly call my personality was formed in that moment (which is why a cel-recreation of that image is one of the first things you see upon entering my home, before you get to the row of wall after wall covered with artwork by Alex Ross, Curt Swan and others, as well as just about every bit of Superman memorabilia ever produced).

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As a kid growing up in the mean streets of New Jersey, Superman was an icon for me. It was a tough life: we moved about 21 times in my first 17 years, we didn't have much money, and every day was a struggle. When I told grown-ups that I was going to be a writer someday, nobody listened, nobody thought I had a chance, because as far as teachers were concerned, kids like me who came from nowhere and nothing were dead-enders, destined to end up working at the gas station at best or in jail at worst. Writers were supposesd to be Ivory Tower guys with leather patches on the elbows of their smoking jackets, who went to the right schools and came from the right families. I lived in the world of No, a place populated by bullies and street fights and tenements, with no possibility of escape.

But Superman...see, Superman could do anything. If there was someplace he didn't want to be, he could just fly away. And he couldn't be hurt, which to a kid who got beat up pretty regularly in fights and elsewhere was a pretty attractive idea. Superman taught me the morals and ethics I draw up on to this day: to play fair, not to lie, and to be willing to put yourself between harm and those you care about.

If Superman could do anything, then maybe I had a chance. Maybe I could become a writer. Maybe I could even learn to fly. That symbol, the S, became a badge for me, and growing up I always made sure I had it somewhere on me, like a shaman's charm. That may sound silly, and from a grown-up perspective it probably is silly, but as Henry Kissinger once said, it has the added benefit of being true. And it helped me get through the hard times, which is why I continue that practice to this day...right now it's on a key-chain in my pocket.

For me, and I suspect for a lot of people, that symbol stands for the belief in our own potentiality, in what we think we can do, and try, and aspire to. I was watching the news recently, and they were showing Palistinian protests, followed by a story on the night life scene in LA, and later on, a live report from London about somethingorother...and in the background of each of those stories there was somebody wearing a Superman t-shirt or cap. It's universal.

And there's a reason for that, a secret no one knows, but I'll tell you, because of how long I've known you, and our longstanding friendship.

And the secret is this:

The Superman symbol is Kryptonian for No Limits.

And whether or not you speak Kryptonian (or Kryptonese), you know that...you know that deep inside, where even the cynicism of the world cannot reach.

I've told this story before in other places, so at risk of being redundant...back a few years ago, I was at the Chicago Comic Con when a guy in his 20s grabbed a bunch of expensive stuff off a table in the dealer's room and made a run for it. The ownere ran after him down the aisle, yelling "stop him!" As he came in my direction, everybody parted like the Red Sea.

I brought him down like a gazelle, and we held him untnil the police showed up.

Afterward, one of the con organizers said to me, "Why'd you do that? He's a big guy, you could've gotten hurt."

And I pointed to where I'd been standing when it happened: right in front of a ten-foot-tall cutout of Superman. "How could I stand in front of that, in front of him," I said, "and do nothing?"

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As Superman has been for me, so Wonder Woman has been for a lot of women readers, so the chance to dive into that character is something I'm eagerly anticipating. This is a strong, mythic, powerful character who for some time now has been kind of drowning under the weight of her own mythos, so I'm looking forward to paring away some of the layers of debris and undergrowth that have piled up around her in order to get to the core of the character. Coming from the world of TV and film, the first rule you learn is to service the main character more than anything else, so I'll be writing with an eye firmly fixed on that rule.

As part of that process, we're going to be looking more closely at how Wonder Woman appears, and functions, and her role in the DCU...and what we have planned will, we hope, come across as dynamic and powerful as she deserves to be.

Similarly, we plan to bring Superman back to his roots, to really explore who he is...how he sees us, and how we see him, in a much more personal way than we've seen in a while. This is part of a larger effort that will have national ramifications, but I can't say much more about it than that for now. Keep an eye on this website for more information when the time is right...but for now, let's just say that Superman may be a lot closer in proximity to you, the reader, than you ever guessed.

To kick off both efforts by appearing in the anniversary issues of these two characters is a great opportunity, and a good jumping-on point for readers.

If there's any other message in this to readers, it's in these two characters as icons of hope, that it doesn't make any difference where you come from, or where you went to school, or who you are, there's hope. That a kid from Jersey with Superman as the icon that kept him alive for years would one day end up writing the character is as absoutely unlikely as it is utterly inevitable. And if that's true for me, it's true for you, if you follow your dreams and your passions in full flight.

Don't give up.

No Limits.

It's never too late to learn to fly.

J. Michael Straczynski

DCU IN 2010: PREPARE FOR TEEN TITANS: GAMES

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A few things to ponder while you recover from the headline and that amazing George Perez cover.

120 pages of classic, New Teen Titans action.

George Perez and Marv Wolfman together again.

So, yes. The OGN will hit stores this year. What more is there to say? Let's check with Marv, shall we?:

"It’s all the regular Titans, obviously because the story was plotted back then it’s Troia, in that costume, Nightwing, Cyborg, Changeling, Danny Chase, Jericho, Starfire, and a number of others but they’re all there. This isn’t a big surprise. What this really is, is the uncovered story that had been done at the height of the Titans. And except for the actual dialoguing, that’s exactly what it is. Because as I said, George drew 80 of the pages back then."

For more from Wolfman and Perez, check with COMIC BOOK RESOURCES for interviews with both legendary creators about their return to the Titans.

Brian Cunningham stars in... "Stuff in my Office"

Hi everyone! Brian Cunningham, here—editor of such titles as TITANS, R.E.B.E.L.S., POWER GIRL and more.

When I’m not editing or shirking responsibility, I like to put stuff I like in my office. Some of the stuff is kinda neat, and some of it is admittedly kinda weird. But I like it, and since I gotta look at it all day, that’s most important. I like having stuff around me that inspires me or even relaxes me during those stressful days of deadline doom.

Take my stash of gum, for instance. Anyone who knows me understands that I always have a pack of gum at the ready. It can be at a convention, in the office, anywhere. You need gum, I got gum. Much like wielding a Green Lantern power ring, one can never underestimate the might of minty fresh breath. So I put out a pack of gum on my desk to help out my fellow editors should they feel they need it.

Now if only my generosity would inspire Matt Idelson to share some of his unlimited quantities of oatmeal…

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In an earlier blog post a couple months ago, I waxed poetic about my 1976 DC Comics calendar I have hanging up. But what I held back—since I can be cagey like that—was that I also have a vintage 1986 DC COMICS CALENDAR POSTER. I got one’a these suckers for Christmas in 1985 and I don’t think I took it off my bedroom wall until well in 1988, that’s how much I loved it. I mean, c’mon—Pérez Titans! Rogers and Giordano Batman! Giffen Ambush Bug! How could I ever get tired of seeing this?

And, needless to say, 1986 was a HUGE year for DC—what with DARK KNIGHT RETURNS and WATCHMEN, among many other classics—so I like to have “1986” in the back of my head when I edit. I’ll never stop reaching for those lofty heights.

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The thing that gets me the most comments in my office—aside from “Uhh…why don’t you have some of your own gum…?”—is my collection of DC Direct BATMAN: BLACK and WHITE statues. I don’t have all of them, mind you, just the ones that I happen to really dig. They range from the Bob Kane version to Brian Bolland’s to my favorite, the Mike Mignola one (which captures Mike’s art so perfectly in a three-dimensional form). What’s really sick and twisted is that I’ve placed them all in chronological order—an off-hand suggestion by Alex Segura, who has quite a B:B/W statue collection of his own! Alex had no idea how brilliant that idea was, and how tailored it was to my O.C.D. mind. Makes me wish I knew exactly where the multi-era George Pérez one should go…

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And that’s just a taste of the assorted stuff I have around me. Perhaps next time, if I’m feeling up to it, I may even show you my growing collection of various body parts that my boss Dan DiDio helped me acquire. We’ll see.

George Pérez gives himself a tip of the hat, BLACKEST NIGHT-style

If you've been reading BLACKEST NIGHT: TITANS (and there's no reason to miss it, I say), then you know the once dearly-departed Terra plays a big role. So, it makes perfect sense to bring aboard writer/artist George Pérez to put pencil to paper for the cover to the mini's final issue. Doubly cool? The artistic master plays homage to his own work, namely, the cover to NEW TEEN TITANS #30. But enough bluster. We caught up with BLACKEST NIGHT: TITANS editor Brian Cunningham to get more details on the cover, plus the cover itself (and its inspiration) below. Take it away, Brian:

“Who better to homage the cover to NEW TEEN TITANS (vol. 1) #30 than its original artist George Pérez? He even did a baby Black Lantern Wildebeest on the logo! And Hi-Fi Design knocked the coloring out of the park. You might see Pérez and Hi-Fi team up again on another Titans project in 2010. Stay tuned!”

BLACKEST NIGHT: TITANS #3 hits 10/28.

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The DC NATION tour is hitting Heroes Con -- see you there?

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Circle June 19-21 on your calendars, gang -- DC NATION is making a stop at the Heroes Convention in Charlotte this year.

Sadly -- or thankfully, for some -- I won't be there personally, but we'll have an impressive lineup of creators holding court at Shelton Drum's event, including Mark Bagley, Ivan Brandon, Bernard Chang, Cully Hamner, Scott Hampton, Adam Hughes, Jamal Igle, Georges Jeanty, Dustin Nguyen, Steve Niles, Phil Noto, George Perez, Stephane Roux, Brian Stelfreeze, Jen Van Meter and a ton more. Senior Story Editor Ian Sattler will also be the ringmaster for any and all panels, so make a point to stop in to hear the latest bits of DCU info.

While you're there, make a point to stop by the DC booth to say hi and pick up some free swag. Free stuff is cool. It makes people happy.

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