ARTIST GREG CAPULLO ON THE "NIGHT OF THE OWLS" CROSSOVER

The wait is over, and the war for Gotham City is about to begin. Pitting Batman and the extended Bat-family against the Court of Owls and their sinister agents, the long-awaited Night of the Owls” crossover kicks off this week.

 

A shadowy secret society with deathless assassins known as Talons to execute its malevolent will, the Court has roots that reach back into Gotham’s deep past – and now this cadre of killers has mounted an all-out assault to exert its influence on the city’s present. It’s the Court of Owls versus the Allies of the Bat to determine once and for all who will rule the shadows of Gotham City.

 

BATMAN artist Greg Capullo promises an epic clash in this Bat-tle royale, as well a satisfying vengeance worthy of the slow-burn tortures that Bruce Wayne’s been forced to endure at the Talons’ claws.

 

You know, I've only been drawing BATMAN for, oh... nine months. In that time, I've had to draw Batman receiving the biggest beat down that I can ever recall. I mean, c'mon already! Stabbed, beaten, deprived of sleep, food and water. Okay, he had water – but it was freakin' drugged! He's seen a vision of his dead folks vomiting owls, he gets stabbed AGAIN (this time with a really BIG knife), has his home invaded...

 

You know what? I've, I mean, he, er... WE'VE had it! The time has come – way past due – the Batman that we all love shall have his Bat REVENGE!!! And, I promise you, people, no wimpy, play-by-the-rules BS. Oh no. I'm talking a truly satisfying bloodletting is on its way. After pushing Batman all the way to the edge – millimeters from his mental and physical breaking point – he's pushing back. So, get your Kevlar on. We don't want any collateral damage when Batman unleashes all his pent-up pain, fury and vengeance upon these damned goggle wearin', knife totin', little-beaked SOBs who "like hunting Waynes."


Payback's a bitch.

 

(Art by Greg Capullo for BATMAN #8)

 

The “Night of the Owls” begins this week in BATMAN #8 and NIGHTWING #8, exploding across the rest of the Bat-books in May. Stay tuned to The Source all this week for more insights from the architects of this epic event.

BATMAN #6, BATMAN: THE DARK KNIGHT #5 and SUICIDE SQUAD #7 Go Back to Press

BATMAN #6 has sold out and will be going back to press for its second printing. Written by Scott Snyder and illustrated by Greg Capullo and Jonathan Glapion, the story paves the path for next month’s “Night of the Owls” crossover event.

 

Also receiving a second printing are BATMAN: THE DARK KNIGHT #5 and SUICIDE SQUAD #7. Written by Paul Jenkins and illustrated by Richard Friend, BATMAN: THE DARK KNIGHT #5 reintroduces Batman to one of the most feared members of his gallery of rogues. And released only last week, SUICIDE SQUAD #7 explores the history and origins of the notorious Harley Quinn. The issue is written by Adam Glass and features artwork by Ig Guara, Clayton Henry and Scott Hanna.

 

Look for the second printings of these three issues on April 18th.

NEWSARAMA talks the art of Scott Snyder

With series like AMERICAN VAMPIRE, BATMAN and SWAMP THING, Scott Snyder is definitely a comic book writer to watch. But what's it like to be an artist working on one of these books? This week, NEWSARAMA interviewed Rafael Albuquerque and Yanick Paquette about their collaborations with Snyder. And be sure to check back to NEWSARAMA next week to read their interviews with artists Greg Capullo and Sean Murphy.

Jason Fabok on his Variant Cover for BATMAN #8

Earlier this year, we told you that BATMAN #8 will feature the first of a series of back-up stories exploring the dark history of the Court of Owls, the mysterious and malevolent secret society wreaking havoc upon Gotham City.

 

Today, take an exclusive first look at the issue’s variant cover by fan-favorite artist Jason Fabok.

 

“The description for this cover was that Batman was being tackled, or smothered by the Court of Owls,” Fabok told THE SOURCE. “The idea of the court reaching down to Batman in a zombie like manner immediately sprang to mind.  Artistically I really wanted to play with the shadows on both Batman and the owl-masked men so I added a strong source light on one side to light the shot. I used my camera on my Macbook to get some rough shadow reference and went from there. I penciled the piece traditionally but inked it digitally on my cintiq. Peter did a great job as usual on colors. I'm very humbled to have had the opportunity to do a BATMAN cover, especially in connection with such an excellent BATMAN run.”


BATMAN #8 is written by Scott Snyder and illustrated by Greg Capullo. The back-up story is co-written by Scott Snyder and James Tynion IV and illustrated by AMERICAN VAMPIRE artist Rafael Albuquerque. Look for the issue in stores on April 18th.

 

“NIGHT OF THE OWLS” – TALON DESIGN (1950s)

The “Night of the Owls” is coming this May, pitting the extended Bat-family against the deadly Court of Owls. A shadowy secret society with roots that date back to Gotham City’s earliest history, the Court employs a cadre of timeless, sinister assassins known as Talons to execute its malevolent will. In advance of the final conflict, the Dark Knight himself is pitted against a Talon from the 1950s, “the era where Americans had bomb shelters in the back yard,” said BATMAN artist Greg Capullo. “Let’s give this one LOTS of weapons and an old-fashioned earpiece radio receiver!”  

“NIGHT OF THE OWLS” – TALON DESIGN (1940s)

The “Night of the Owls” is coming this May, pitting the extended Bat-family against the deadly Court of Owls. A shadowy secret society with roots that date back to Gotham City’s earliest history, the Court employs a cadre of timeless, sinister assassins known as Talons to execute its malevolent will. Clashing with BATGIRL, the 1940s Talon represented a different kind of design challenge for BATMAN artist Greg Capullo. “Scott’s direction was she was an African-American female,” said Capullo. “I freely admit that the design of the breastplate was inspired by the fact that she had breasts.” Stay tuned to The Source all this week and next to see the various other Talons that will rise to menace Gotham City during the “Night of the Owls.”

CBR’S TALKIN’ ABOUT “THE NIGHT OF THE OWLS”

With “The Night of the Owls” crossover coming to Gotham City this May, COMIC BOOK RESOURCES ran a complete week of coverage examining the event. While CBR often spotlights their Batman coverage under the “Bat Signal” header, they even retitled the column in honor of the event. With the Owls wreaking havoc on Gotham and taking over the city, it only seemed right for the “Bat Signal” to be subverted into the “Owl Signal.” Kicking off their week with the creative who introduced the sinister Court of Owls into the mythology, CBR spoke with BATMAN writer Scott Snyder and artist Greg Capullo. BATMAN series editor Mike Marts joined in the candid conversation about the malevolent new villain that has sprung up to threaten the extended Bat-family. Said Snyder, “As I was working on the story, I realized there was a point in issue #9 where the attack that the Owls were going to launch against Gotham was so big and so broad that we had to at least address where the other Bat characters were. So I talked to Mike and told him that there was an opportunity to play in if they wanted to. From there, we tried to make an event where each writer or each team working on the Bat books could look at their story lines and decide if they wanted to organically tie it in.” Next came their interview with Kyle Higgins, writer of NIGHTWING. “From a thematic standpoint and an emotional standpoint, some of the things that come up during Nightwing's fight with the Owls are going to raise questions for him about what his place in the future of the city is, what his place in current Gotham could have been, and whether or not the way he and Batman operate in the city accomplish all that much of anything,” said Higgins. “So yeah, it's safe to say this crossover will frame some things for Nightwing to look at as we move forward in the series.” Though it might seem an unlikely participant in the “Night of the Owls,” ALL-STAR WESTERN takes place in Gotham of a century ago, offering insights into the Owls’ roots. Writers Justin Gray and Jimmy Palmiotti explored the depth of the Court’s hold on the city. “The mythology that Scott [Snyder] is developing so admirably in BATMAN lends itself directly to ALL-STAR WESTERN because it encompasses the history of Gotham long before the caped crusader existed,” said Gray. “To that end, using both The Court of Owls and the Talon fit seamlessly into our existing plans for the book. In fact, we're already seeding ideas and images in ALL STAR that come into play not only with #9, but also all the way through the end of our first year.” With Batman under fire in his self-titled book, Robin’s on his own against the Owls’ assassin: The Talon. BATMAN AND ROBIN writer Peter Tomasi explains, “Robin pretty much faces this Talon alone in a wall to wall action packed story just outside of Gotham. Batman has his hands full with all the craziness that Scott's throwing at him at Wayne Manor, and members of the Bat Family need to step up and kick some serious ass to try and help set things right. With all of the Talon action taking place in Gotham proper, I thought it would be cool to move Robin into the outskirts for a little change of scenery in his battle.” Fending off the Owl attack on three separate front, writer Judd Winick discusses the crossover from the perspective of three distinct titles: BATWING, CATWOMAN and BATMAN: THE DARK KNIGHT. “I think it's a little bit of everything. These are three very, very different stories,” said Winick. “That's the fun of this entire crossover that it's a really big, terrific, ramshackle story just full of action, lots of emotion, and digs around in canon in a way that I think is really, really interesting.” And finally, writer Scott Lobdell spoke about how RED HOOD AND THE OUTLAWS fits into the action – no small feat, given the characters’ general inability to play well with others. “RED HOOD AND THE OUTLAWS ‘isn't like the other kids’ – they're not really asked to play in the reindeer games. When you see how they wind up caught between a Talon rock and a Mr. Freeze hard place, it will feel like exactly what it is: A ‘Night Of The Owls’ story through that Outlaw prism.” Don’t miss “The Night of the Owls,” coming this May.

“NIGHT OF THE OWLS” – TALON DESIGN (1870)

The “Night of the Owls” is coming this May, pitting the extended Bat-family against the deadly Court of Owls. A shadowy secret society with roots that date back to Gotham City’s earliest history, the Court employs a cadre of timeless, sinister assassins known as Talons to execute its malevolent will.Of the steampunk-inspired Talon that will face-off against BATWING during the crossover, BATMAN artist Greg Capullo said, “It was like using a magnet in a junkyard. Just a lot of stuff that doesn’t mean much, but looks cool.”

Stay tuned to The Source all this week and next to see the various other Talons that will rise to menace Gotham City during the “Night of the Owls.”

“NIGHT OF THE OWLS” – TALON DESIGN (1840s)

The “Night of the Owls” is coming this May, pitting the extended Bat-family against the deadly Court of Owls. A shadowy secret society with roots that date back to Gotham City’s earliest history, the Court employs a cadre of timeless, sinister assassins known as Talons to execute its malevolent will.“Now I’m thinking Jack the Ripper,” said BATMAN artist Greg Capullo of the mid-Victorian Talon that threatens the BIRDS OF PREY during the crossover. “Cloaks and lots of layers. A bird’s feathers are all layered. Perfect.”  

  Stay tuned to The Source all this week and next to see the various other Talons that will rise to menace Gotham City during the “Night of the Owls.”

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