A few links of note — JMS edition

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That was some big news on Monday, eh?

And with big news comes big reaction, with a number of outlets picking up on the fact that JMS will be writing SUPERMAN and WONDER WOMAN in July and commenting on his excellent essay, posted later in the day Monday.

Bryan Young, writing at THE HUFFINGTON POST, summed things up nicely: "I can't wait to see what he'll do." Same here, Bryan.

In addition to THE HUFFINGTON POST, the news got placement at a number of outlets, including AOL’s COMICS ALLIANCE blog, TIME’s TECHLAND, IGN, io9, NEWSARAMA, COMIC BOOK RESOURCES, iFANBOY, ICv2, ROBOT 6, AIN’T IT COOL NEWS and BLOG@NEWSARAMA.

No limits: J. Michael Straczynski on SUPERMAN, WONDER WOMAN

One of my very earliest memories as a child is of watching one of the Superman cartoons created by Max Fleischer. In particular, a scene where Superman puts his cape around Lois Lane to protect her from an incoming tide of molten metal. I imprinted on that image like a baby duck, and a lot of what I laughingly call my personality was formed in that moment (which is why a cel-recreation of that image is one of the first things you see upon entering my home, before you get to the row of wall after wall covered with artwork by Alex Ross, Curt Swan and others, as well as just about every bit of Superman memorabilia ever produced).

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As a kid growing up in the mean streets of New Jersey, Superman was an icon for me. It was a tough life: we moved about 21 times in my first 17 years, we didn't have much money, and every day was a struggle. When I told grown-ups that I was going to be a writer someday, nobody listened, nobody thought I had a chance, because as far as teachers were concerned, kids like me who came from nowhere and nothing were dead-enders, destined to end up working at the gas station at best or in jail at worst. Writers were supposesd to be Ivory Tower guys with leather patches on the elbows of their smoking jackets, who went to the right schools and came from the right families. I lived in the world of No, a place populated by bullies and street fights and tenements, with no possibility of escape.

But Superman...see, Superman could do anything. If there was someplace he didn't want to be, he could just fly away. And he couldn't be hurt, which to a kid who got beat up pretty regularly in fights and elsewhere was a pretty attractive idea. Superman taught me the morals and ethics I draw up on to this day: to play fair, not to lie, and to be willing to put yourself between harm and those you care about.

If Superman could do anything, then maybe I had a chance. Maybe I could become a writer. Maybe I could even learn to fly. That symbol, the S, became a badge for me, and growing up I always made sure I had it somewhere on me, like a shaman's charm. That may sound silly, and from a grown-up perspective it probably is silly, but as Henry Kissinger once said, it has the added benefit of being true. And it helped me get through the hard times, which is why I continue that practice to this day...right now it's on a key-chain in my pocket.

For me, and I suspect for a lot of people, that symbol stands for the belief in our own potentiality, in what we think we can do, and try, and aspire to. I was watching the news recently, and they were showing Palistinian protests, followed by a story on the night life scene in LA, and later on, a live report from London about somethingorother...and in the background of each of those stories there was somebody wearing a Superman t-shirt or cap. It's universal.

And there's a reason for that, a secret no one knows, but I'll tell you, because of how long I've known you, and our longstanding friendship.

And the secret is this:

The Superman symbol is Kryptonian for No Limits.

And whether or not you speak Kryptonian (or Kryptonese), you know that...you know that deep inside, where even the cynicism of the world cannot reach.

I've told this story before in other places, so at risk of being redundant...back a few years ago, I was at the Chicago Comic Con when a guy in his 20s grabbed a bunch of expensive stuff off a table in the dealer's room and made a run for it. The ownere ran after him down the aisle, yelling "stop him!" As he came in my direction, everybody parted like the Red Sea.

I brought him down like a gazelle, and we held him untnil the police showed up.

Afterward, one of the con organizers said to me, "Why'd you do that? He's a big guy, you could've gotten hurt."

And I pointed to where I'd been standing when it happened: right in front of a ten-foot-tall cutout of Superman. "How could I stand in front of that, in front of him," I said, "and do nothing?"

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As Superman has been for me, so Wonder Woman has been for a lot of women readers, so the chance to dive into that character is something I'm eagerly anticipating. This is a strong, mythic, powerful character who for some time now has been kind of drowning under the weight of her own mythos, so I'm looking forward to paring away some of the layers of debris and undergrowth that have piled up around her in order to get to the core of the character. Coming from the world of TV and film, the first rule you learn is to service the main character more than anything else, so I'll be writing with an eye firmly fixed on that rule.

As part of that process, we're going to be looking more closely at how Wonder Woman appears, and functions, and her role in the DCU...and what we have planned will, we hope, come across as dynamic and powerful as she deserves to be.

Similarly, we plan to bring Superman back to his roots, to really explore who he is...how he sees us, and how we see him, in a much more personal way than we've seen in a while. This is part of a larger effort that will have national ramifications, but I can't say much more about it than that for now. Keep an eye on this website for more information when the time is right...but for now, let's just say that Superman may be a lot closer in proximity to you, the reader, than you ever guessed.

To kick off both efforts by appearing in the anniversary issues of these two characters is a great opportunity, and a good jumping-on point for readers.

If there's any other message in this to readers, it's in these two characters as icons of hope, that it doesn't make any difference where you come from, or where you went to school, or who you are, there's hope. That a kid from Jersey with Superman as the icon that kept him alive for years would one day end up writing the character is as absoutely unlikely as it is utterly inevitable. And if that's true for me, it's true for you, if you follow your dreams and your passions in full flight.

Don't give up.

No Limits.

It's never too late to learn to fly.

J. Michael Straczynski

J. Michael Straczynski to write SUPERMAN and WONDER WOMAN, starting in July

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It's go time, folks.

Starting in July with SUPERMAN #701 and WONDER WOMAN #601, superstar writer J. Michael Straczynski — a man who’s created layered and compelling characters and worlds on the big screen, on television and across the comic book spectrum -- dives head-first into the DC Universe by taking the ongoing writing reins for two-thirds of the fabled DCU trinity.

We'll have more details about who'll be teaming with JMS on both titles -- not to mention the exciting new directions he'll be pointing our heroes toward -- in the coming months. But today is about JMS and how he sees these great characters and what they stand for.

Later today we'll be posting an essay from the writer, nailing in a few paragraphs what makes the Man of Steel and Wonder Woman such important parts of our cultural mythology. In my day-to-day here at DC, I see a lot of amazing things cross my desk. Images, new titles, plot directions, you name it. But this essay is something special. It had me rooting for these characters in a whole new way. It’s that good.

But before we get there, let's touch base with JMS about this news. Take it away, sir:

"For as long as I've been doing conventions (starting in the early Cretaceous period, when it was just me and a handful of pterosaurs on a panel debating whether or not mammals with opposable thumbs were really necessary to the writing of quality comics, a point still hotly debated today), there has always been the same question from folks in the audience: "Is there any one character who is your dream character to write for?" The answer has always been the same: Superman. When I first came over to DC, that dream was realized in part by Dan DiDio's gracious invitation to write the first of potentially many Superman original graphic novels. Now the dream has come fully true with the opportunity to write for the mainstream title, in a story that returns Superman to his roots in a way that will have the whole country talking about him in ways that we haven't seen in a long time.

Similarly, the chance to write Wonder Woman -- the nearest analogue to Superman in the DCU -- is massively exciting. She's a vital, powerful character, and we hope to bring a more contemporary sensibility to her character will retaining everything that makes her unique.

That DC is willing to jump-start these two runs in the pages of their respective anniversary issues is a great opportunity and a vote of confidence in what we have planned for these characters. I'm looking forward to this with more excitement than words can convey.

It's gonna be a blast."

DCU IN 2010: Special edition of DC NATION

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Hey, Dan DiDio here with special edition Digital DC Nation. And if you’ve been following The Source all this week you’ve gotten your first glimpses of the post Blackest Night DC Universe and a sneak peek as some the amazing stories and books we have planned for the 2010.

You’ve heard from Grant Morrison as he gave hints to the whereabouts of Bruce Wayne (possibly one of the wildest Batman stories ever to be told), while Group Editor Matt Idelson confirmed that Clark Kent will return to his famous costume just in time to enter into a WAR OF SUPERMEN (the culmination of over three years of Superman story telling) and have Marc Guggenheim join the writing team. And rounding out the trinity, I finally got to tell you the outcome to the Wonder Woman postcard campaign (and yes, issue 600 is heading your way in June).

Francis Manapul debuted samples of art that we feel catapults The Flash into the new millennium and master creator Len Wein encapsulated his plans for the narrative recounting of the history of the DC Universe in DC: LEGACIES. But like I said in the opening, if you have been following along on The Source, you know we didn’t stop there!

You also learned that the stunning events of JUSTICE LEAGUE: CRY FOR JUSTICE go directly into the aptly titled one shot JUSTICE LEAGUE: THE RISE AND FALL which then gives way to the two major storylines THE FALL OF GREEN ARROW (in his ongoing series) and the RISE OF ARSENAL (in his own mini series), all of which, should not be missed!

And capping it all off, we were intensely proud to announce the new Earth One series of original graphic novels. Joe Stracynski and Shane Davis on Superman and Geoff Johns and Gary Frank on Batman, a great start to what I hope will be a great line of books.

So there you have it, your first look into what’s in store for DC Comics for 2010. I hope you are as excited about all this as we are.

Oh… what’s that you say?

What happens at the end of Blackest Night?

Sorry folks. Not. Just. Yet.

So enjoy the egg nog and pop open the champagne, we’ll be back with more in January, and then, all, or at least most of, your questions will be answered.

From all of us to all of you, thank you, as always for your continued support, and have the happiest of holidays.

To be continued….

DD

DCU IN 2010: WELCOME TO EARTH ONE

That major publishing event we mentioned earlier today? Well, here it is.

Original stories featuring Batman and Superman in graphic novel form from the biggest creators out there. But these aren’t one-offs. We’re talking ongoing series of OGNs in a new continuity, on a new Earth.

Sound appealing?

Starting next year, DC Comics will unveil SUPERMAN: EARTH ONE and BATMAN: EARTH ONE, two graphic novels spotlighting the most powerful heroes of the DC Universe, with their first years and earliest moments retold in a standalone, original graphic novel format, on a new earth with an all-new continuity.

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Return to Smallville and experience the journey of Earth’s greatest adopted son, as he grows from boy to Superman in SUPERMAN: EARTH ONE by J. Michael Straczynski and artist Shane Davis.

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Watch from the darkest corners of Crime Alley as a young boy is struck by unbelievable tragedy that will forge the greatest crime-fighter to ever stalk the rooftops of Gotham City in BATMAN: EARTH ONE, by writer Geoff Johns and artist Gary Frank.

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What does JMS have to say? Well, here's a snippet from his first interview on the subject:

"What I’m trying to do is to dig in to the character and look at him through modern eyes. If you were to create the Superman story today, for the first time, but keep intact all that works, what would it look like?"

"It is monumental for us as comic readers to see Superman birthed for the first time," Davis said. "It's a privilege to realize that you're the artist that gets to draw it, better yet having the luxury to do it in an original graphic novel. This is going to be epic!"

What about Geoff Johns? Well, we happen to have a bit from his first interview as well:

"BATMAN: EARTH ONE allows Gary and I to break the restraints of any continuity and focus on two things: character and story."

Want more? Sure you do. Why not check out the interviews AIN’T IT COOL NEWS just posted with the previously mentioned Johns and Straczynski?

J. Michael Straczynski on BRAVE AND THE BOLD #29

A thing that lives… and fights for its soul. The shambling walking doll that is Brother Power, the Geek has been reborn in Gotham City without a home or purpose. Could destiny have something in store for this seemingly lost relic? And why does his appearance cut into Batman's heart like none of Gotham's strange monsters ever has before? Well, you'll have to read the issue to find out. In the meantime, we have a very special guest post from Straczynski himself, and believe me when I say you're all in for a treat. Take it away, Joe:

I can't remember offhand where I was talking about it...could've been San Diego Comic Con, or MIT, or last night when I was having an imaginary dinner with my imaginary friend and he refused to pick up the imaginary check...not that it matters, I suppose, since the point is really what we're driving at here, with said point being...I was talking someplaceorother and mentioned the lineup I had in mind for Brave and the Bold team-ups.

The list included Atom and the Joker, Aquaman and the Demon, the Legion of Superheroes and the Doom Patrol, the League of Substitute Heroes and the Inferior Five, Zatanna plus Batgirl plus Wonder Woman, Batman and Brother Power the Geek, Green Lantern and Dr. Fate, Adam Strange and Lois Lane...all pairings that alternately met with applause and laughter, generally for vastly different reasons.

Afterward, when talking to some of those in the room, the most common response was, "That was a great list, but you're kidding about Brother Power the Geek, right?"

"You took seriously the Inferior Five but Brother Power the Geek you're having a hard time with?"

"Well, it's just, you can't tell a good story around him. Nobody's going to take it seriously. He's camp, he's sixties, he's a refugee from a Love-In...they're going to tear it, and you, apart."

All valid concerns.

But see, I have this theory that as long as you treat a character seriously, no matter how ridiculous -- even more so the more ridiculous they are -- you can get something good out of it. On Babylon 5, everybody wrote off Londo Mollari for our first season: he was a buffoon, a drunk, and his hair was strictly comic relief. By season five, he was our most compelling, serious character. Again, it's all in how you do it.

Besides, telling a good story around the Geek would be a real challenge.

So I paired up the Geek with Batman, one of the most somber, serious characters in the DC universe. And I gave Batman all of the reactions to the Geek described above, because those would be his natural, logical reactions. So it echoes the reader's response. It's the Zen thing of turning your opponent's strength against him. Rather than run from a problem, if you take it head-on you can turn it to your advantage. If we can prove the character to Batman, we can prove it to the reader. That, at least, is the theory.

The result of that experiment hits the stands this week. Of the three issues of B&B published to date, this is my favorite, because it was the most challenging, and maybe for that reason, came out the best. It is, strangely enough, the one with the most heart.

When I set out to take on The Brave and the Bold, one of my goals, in addition to writing outside current continuity a bit, was to challenge myself and take risks by bringing together combinations no one had ever tried before, because the logic of the moment said this won't work. I think it's important to take chances, and risk failure, because nothing is ever accomplished by playing it safe. You don't get points for doing things that are easy.

All of the pairings so far, and those to come, also have subtle little reasons for the pairing that underscore the thematic elements of the story. Fate/GL combines the Green and its fatal flaw, yellow, as well as putting the ideas of fate/destiny in conflict with will/free will. Aquaman and the Demon pair up fire and water, two primal elements. Other parallels will become clear in the telling.

For Batman and the Geek, there are also parallels...as well as to a third character refrenced in the book, the Frankenstein monster of literature. You might wonder what the heck those three have in common. Well, you'll find out in this issue of B&B.

People tend to look at the progression from serious to ridiculous as a straight line, but it's not. As the universe is curved, and eventually ends up where it began, so is that dynamic really a self-contained loop. You can start out serious, but the longer you go down that road, the more serious you become, sooner or later you end up at ridiculous. Similarly, if you go far enough down the road to ridiculous, eventually you come out at serious. That was my approach to the Geek.

And I'll tell you this much: after this issue, nobody's going to wonder why on earth I'd use the Geek in a story with Batman. And a lot of those who laughed at the notion, won't be laughing by the end of the issue.

Count on it.

joe

BRAVE AND THE BOLD #29 hits 11/18.

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Joey Cavalieri talks BRAVE AND THE BOLD

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J. Michael Straczynski wrote to remind me that this December is the 65th anniversary of the Battle of the Bulge. (I say “remind me” as if I’d been in it!) He’s not bringing it up so I can futz with its Wikipedia entry. It’s because with the current issue of THE BRAVE AND THE BOLD, he sends the Flash into the thick of it…to meet the Blackhawks, no less. We’ve done a few Flash stories but you’ve never read one like this! Barry Allen battles on the side of the Allied forces in World War II, in an adventure in which every incident is as unexpected as the premise!

Talking of “allied forces,” that sure describes BRAVE & BOLD. In the book’s grand tradition, JMS is lining up some inventive and even offbeat alliances to feature every issue. Seen the Batman/Dial H for Hero adventure? Everybody’s still buzzing about that one! Snag one if your local store has any left!

In the offing is a Batman/Brother Power the Geek team-up (Brother! Power! The! Geek!). Then, Doctor Fate and Green Lantern see whether or not magic can trump willpower. Jesus Saiz is drawing that one now even as I write this, and he’s having a blast doing it! He really knocked it out of the park on that “Dial H” issue, and he gets better every month!

If you love these Silver Age characters, JMS will remind you why you do! If you never did, or you’ve never heard of them, these new stories will show you why people still talk about them…and why they endure!

(Dude, the Geek abides!)

Your pal,

--Joey

A few links of note for Friday

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Happy Friday, Source gang. It's been a long week, so why not take a few minutes from your busy day and unwind with a few interesting interviews and reviews?

NEWSARAMA's Chris Arrant talks shop with DETECTIVE COMICS writer Greg Rucka about all things Batwoman in this all-encompassing and insightful read.

IGN's Dan Phillips talks up JMS and artist Jesus Saiz's second issue of THE BRAVE AND THE BOLD, noting that "JMS and Saiz have crafted two timeless, poignant, entertaining and very moving adventure stories that make profound statements on DC heroes of both the iconic and obscure varieties. This is the type of superhero series I always yearned for but never thought enough of to demand."

AIN'T IT COOL NEWS reviews the latest issue of writer Chris Yost and artist Ramon Bachs' RED ROBIN series.

• And last, but certainly not least, CBR's Doug Zawisza talks up the final issue of the BLACKEST NIGHT: SUPERMAN mini-series, calling artist Eddy Barrows' art " raw and gritty, perfect for the battle between reanimated corpses and our heroes."

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