DC Embraces Its Dark Side

DC Embraces Its Dark Side

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DC Comics embraces its dark side. On the 40th anniversary of the character’s creation, the New York Times bestselling writer of AMERICAN VAMPIRE, Scott Snyder, teams up with Yannick Paquette (BATMAN, INCORPORATED) to bring horror back to the DC Universe in SWAMP THING #1. For years, one man served against his will as the avatar of nature. And while he may have been freed of the monster, he's about to learn the monster will never truly let go of him.

The World’s Greatest Supernatural Heroes

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John Constantine, Deadman, Shade the Changing Man and Madame Xanadu are Justice League Dark, a band of supernatural heroes united to stop the dark things the rest of the DCU does not see in JUSTICE LEAGUE DARK #1, by Peter Milligan and artist Mikel Janin.

Acclaimed Creators with New Takes on Cult Heroes

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Buddy Baker has gone from “super” man to family man – but is he strong enough to hold his family together when Maxine, his young daughter, starts to manifest her own dangerous powers? Find out in ANIMAL MAN #1, the start of a dramatic new series by acclaimed writer Jeff Lemire and artists Travel Foreman and Dan Green.

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Set in the Middle Ages, the Demon leads an unlikely team to defend civilization and preserve the last vestiges of Camelot against the tide of history. Critically-acclaimed writer Paul Cornell and artists Diogenes Neves and Oclair Albert combine sorcery, swords and superheroes in DEMON KNIGHTS #1.

Tomorrow’s Cult Classics

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Frankenstein and his network of strange beings work for an even stranger government organization: The Super Human Advanced Defense Executive. It’s the breakout hero of Seven Soldiers as you’ve never seen him before in FRANKENSTEIN, AGENT OF SHADE #1, the first issue of a dark new series from acclaimed writer Jeff Lemire (Sweet Tooth, The Nobody) and artist Alberto Ponticelli.

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A cult favorite character returns in a new series written by his classic creative team of Dan Abnett and Andy Lanning. Joining them is JUSTICE LEAGUE: GENERATION LOST artist Fernando Dagnino. RESURRECTION MAN #1 is the story of a hero who wakes up with new powers each time he’s killed.

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Vampires threaten to bring ruin to the DC Universe in I, VAMPIRE #1 by rising star Josh Fialkov and artist Andrea Sorrentino. Tortured by his centuries-old love for the Queen of the Damnned, Andrew Bennett must save humanity from the violent uprising of his fellow vampires, even if it means exterminating his own kind.

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Priscilla Kitaen has just found out she’s a monster. A half-alien hybrid, the woman known as Voodoo must confront the secrets of her past to make sense of the nightmare her life has suddenly become. VOODOO #1 will be written by Ron Marz with art by Sami Basri.

Smallville is visited by The Phantom Stranger in SUPERBOY #8

The mystery of the Hollow Men has been on Superboy's mind ever since the first issue of Jeff Lemire's SUPERBOY. The Phantom Stranger knows the secrets behind this Smallville legend, and Superboy wants that knowledge – but at what price does the Stranger hold it?

"Rise of the Hollow Men" begins in Jeff Lemire and Pier Gallo's SUPERBOY #8, on sale next week!

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FLASHPOINT FRIDAY: “Frankenstein is … an unstoppable, unkillable, machine of destruction.” – Jeff Lemire

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The tale of FRANKENSTEIN is unarguably timeless. So how does one take such a culturally recognized figure and alter him within the world of FLASHPOINT? Stepping up to the plate is fan-favorite creator Jeff Lemire, whose miniseries FLASHPOINT: FRANKENSTEIN & THE CREATURES OF THE UNNKNOWN sets the legendary monster in the heart of World War II. We chatted with Jeff about his spin on the character and his process as a writer:

flsp_frank_rgbTHE SOURCE: FLASHPOINT: FRANKENSTEIN AND THE CREATURES OF THE UNKNOWN uncovers the wierd war tales of the FLASHPOINT world. When Frankenstein awakens in issue one, his first words are "was... something... left... undone?" What is he referring to? Where has Frankenstein been?

JEFF LEMIRE: That was actually an homage to the Grant Morrison/Doug Mahnke 7 SOLDIERS mini-series. In that book, those were the first words the creature said as well, and it occurred to me that if Frankenstein woke up in 1942 or in 2003 like he did in that series, he'd have the same reaction...he’d sense a world in turmoil.

Without giving too much away Frankenstein was a secret adventurer and protector of humanity in the early part of the 20th century before being...um...put out of commission for a while.

flashfrankDoes the Frankenstein monster end up a war hero?

JEFF: He is THE war hero. Frankenstein is driven to root out evil at all costs and it leads him on a pretty MAJOR mission during World War II. One that not only changes the direction of the war, but also the history of the Flashpoint Universe's costumed heroes as well.

How does Project M impact the Second World War?

JEFF: Frankenstein and his team of Creature Commandos created by the mysterious Project M end up leading the charge in Europe. As a result, teams like the JSA and All-Star Squadron are not needed in the same way they were in the regular DC Universe. Thus their destinies are altered as well.

flsp_frank_1_06There's a common thread to your work for DC and Vertigo. SWEET TOOTH features hybrid human/animal creatures and SUPERBOY features the monthly adventures of a super clone. Now you're writing the adventures of monsters who are super soldiers. What draws you to stories about lab experiments and science fiction?

JEFF: I am actually a clone myself. I come from a long line of clones. My dad was a clone, my grandfather...in fact I've cloned myself a number of times. It's how I'm able to write two monthly books and write and draw another every month.

Seriously, though I love these characters who have nebulous origins and are born as outsiders...or born being inherently cut off from the rest of humanity, and as a result need to manufacture either own place in the world. It's a very unique point of view to write and for whatever reason, one I can relate to and one that continues to interest me creatively.

What makes this Frankenstein unique from other takes on the character?

JEFF: This Frankenstein is a total badass. An unstoppable, unkillable machine of destruction. But inside is the romantic heart of a poet.

FLASHPOINT FRIDAY: The great monster hunter Miranda Shrieve will see our heroes dead before the night is done...

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FLASH FACT: The great monster hunter Miranda Shrieve will see our heroes dead before the night is done... unless they can defeat her and her army of robots.

FLASHPOINT: FRANKENSTEIN AND THE CREATURES OF THE UNKNOWN #3

Written by JEFF LEMIRE

Art by IBRAIM ROBERSON

Cover by DOUG MAHNKE

On sale AUGUST 10 * 3 of 3, 32 pg, FC, $2.99 US * RATED T

Superboy takes on the New Titans in SUPERBOY #7

Superboy wakes up to find that not only is Smallville an unrecognizable, near-lifeless place, but that he is the one responsible for the destruction. When the New Titans dub him the enemy and come to seek justice, Superboy has to prove his innocence not only to them – but to himself.

Want to know more? Check out writer Jeff Lemire's newest interview about the series over at Newsarama.

SUPERBOY #7 features guest art by Marco Rudy and lands in comic stores today.

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FLASHPOINT FRIDAY: “We can’t talk about that yet. But oh my god.”— Dan Abnett

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How often do you talk to or e-mail your editor and the other creators working on FLASHPOINT titles? What kind of creative collaboration is going on behind the scenes?

J.T. Krul: A lot actually. Geoff is creating a rich universe within the main book, and we get to play in our corners of it on our books, but there is a very strong effort to keep things connected in an organic way.

Javi Fernandez: Everything is perfect, the script, the editor, the result... everything...

Tony Bedard: I've had a lot of interaction with Geoff, Eddie Berganza, and with Dan Abnett and Andy Lanning since my EMPEROR AQUAMAN series is closely tied to their WONDER WOMAN AND THE FURIES mini. It's been a real pleasure working with DnA. I've been trying to beat their cosmic stuff at Marvel with our own R.E.B.E.L.S. and now we have a friendly competition to see which rocks harder, Aquaman or Wonder Woman.

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Dan Abnett: All the time. It’s one big Skype party.

Scott Snyder: A lot of collaboration is going on. I've already spoken with and come up with joint story elements with Dan Abnett and Andy Lanning, JT Krul, Tony Bedard, Jeff Lemire. It's great, because the world is this shared sandbox, with all this vibrant stuff happening all around you.

Rex Ogle: I really lucked out to have Pat McCallum and Sean Mackiewics as my editors. They not only push me to make the story that much bigger, but they help me tap into the potential of my ideas. (“Care Bear Stare”, right guys?) As for the talent, the amazing Brett Booth & Andrew Dalhouse are working on covers, and when I saw the first one, it blew me away. It took all my restraint not to post it online. I’ve also got Eduardo Francisco and Paulo Siqueira doing the interior art and it’s just gorgeous.

Dan Jurgens: It's very intensive with a lot of ongoing conversations and contact to help pull everything together.

Jimmy Palmiotti: I hit the crew up whenever I have a question and they get right back to me. This is a well oiled machine on every level and one of the easiest crossovers I have ever worked on. It's been great.

Lowell Francis: Often- working with everyone, especially Scott Snyder, has been an amazing creative experience.

Have you ever been involved in an event of this magnitude before?

Lowell Francis: No- it’s like playing a massive game of live-action Tetris. We’re trying to get all the pieces from the many amazing titles put into place. This event’s an incredible network of cascading effects.

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Dan Jurgens: Quite honestly, yeah! A few times!

Mike Carlin: I’ve been involved with a few since 1981... But when we heard this whole storyline laid out, I believed this to be an event with immense personal stakes. That’s unusual for these big stories, that’s for sure.

Dan Abnett: No, but an alternate version of me has.

Adam Schlagman: Though I worked heavily on BLACKEST NIGHT, I’ve never been involved in an event where an entire universe is created and coordinated between over twenty creators. It’s unbelievably fun!

Scott Kolins: ROGUES REVENGE was part of FINAL CRISIS and BLACKEST NIGHT: FLASH was part of the summer event last year – so yes I’ve been apart of these events before. This one has a strong and different concept than those, which is great – And I get to write my story this time.

J.T. Krul: BLACKEST NIGHT was epic and huge, but this feels even bigger.

Tony Bedard: I got to do several stories in BLACKEST NIGHT, so I guess this isn't my first rodeo.

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Peter Milligan: I was involved the the Global Financial Meltdown that led to the demise of Lehman Brothers and the ruination of countless economies…but that wasn’t quite as complex or far-reaching as FLASHPOINT.

Gene Ha: It was called GODHOOD, the sequel to KINGDOM COME. We don't talk about that much...

Rex Ogle: No, this is my first. And it’s an absolute honor to have my name alongside so much phenomenal talent.

Jeff Lemire: I once created an epic crossover with my Superpowers figures that lasted for nearly seven years. I finally wrapped it up last month, it was great. Darkseid won.

Javi Fernandez: Never! As I´ve said, is the first time that I’ve worked for DC and it is so fun, such a treat, that I think that I´ve won the lottery.

There's been a lot of chatter, online and at conventions, about what kind of consequences will come out of FLASHPOINT. Why, in your estimation, will FLASHPOINT matter to fans?

Sean Ryan: Because I think at the core of FLASHPOINT, behind all the crazy changes and differences, the story has a very deep emotional center that I think will resonate with fans.

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Gene Ha: We're creating a setting and cast of characters that we love. We're putting every twisted obsessive drop of love from our sick bastard hearts into it. But this event is only the first story. We're trying to make something so tempting that other creators can't resist playing with these toys too.

Mike Carlin: Because change CAN be good!

Dan Jurgens: There will be lasting effects.

Adam Schlagman: Wait until you see the end. Oh boy, does it matter. Plus the emotional context will register with all DC fans for all eternity.

Dan Abnett: We can’t talk about that yet. But oh my god...

Jeff Lemire: Because, unlike past events, this one REALLY does change everything.

Rex Ogle: When you take a character and put them in a whole new world with a whole new life, the core of who they are stays the same—but how that different world has changed them, changes how they react to their environment. And as a fan, I’m overjoyed to see some of these new aspects of the heroes (and villains) I love.

As for long lasting effects on the DC Universe, let’s just say at the heart of FLASHPOINT is this very overwhelmingly emotional story (beautifully written by Geoff Johns). And when there’s a story this powerful and intense, yeah, of course there’re going to be some repercussions. Of course I’m not at liberty to say more than that…

Peter Milligan: It’ll allow the reader to consider familiar characters in new ways. And more importantly to be reacquainted with lesser-known characters they may have forgotten about or never been aware of. In other words it will re-populate the DC Universe.

J.T. Krul: They'll be seeing their favorite heroes and villains in ways they never have before. And, that's only the tip of the iceberg for what's coming next.

Pornsak Pichetshote: You’ll find out when it’s over. Boy, will you find out when it’s over…

Tony Bedard: I'm not allowed to talk about it, but it absolutely will matter.

Scott Snyder: Well, first and foremost, it'll matter because of the strength of the story! It's just a great tale, really imaginative, epic, with lost of twists and turns... But if you're looking for a "will it change the DCU," the answer is definitely yes.

FLASHPOINT FRIDAY: “This is a guy who is ready to wipe out the surface world.”—Tony Bedard

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How often do you get asked questions you can't answer about the world of FLASHPOINT?

Dan Abnett: I can’t answer that question.

Jimmy Palmiotti : About once a day on Twitter, at every convention and once at the airport coming into the country by homeland security.

Peter Milligan: It comes up. But luckily I’ve been too busy to attend too many conventions recently, and it’s at conventions, on panels etc that these awkward questions usually arrive.

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Tony Bedard: I live like a hermit, so I manage to avoid most questions.

Dan Jurgens: Too often! It'd be easier to wear a sign around my neck that says, "FLASHPOINT? Don't ask!"

Scott Snyder: Oh man, constantly.

Jeff Lemire: Not often, but that's only because I'm a recluse with little or no contact with the outside world. In fact the only person I've talked to in the last three months is my FRANKENSTEIN Heroclix figure, luckily he already knows the secrets of FLASHPOINT. He's also a great listener.

Rex Ogle: I keep a pretty low profile on the Internet so it’s not too difficult flying under the radar. But my friends are driving me nuts. Every ten minutes, they’re like, “What’s going on with FLASHPOINT? What

happened to the DC Universe? Is anybody going to die?” I just shake my head and change the subject to how much I miss new episodes of Buffy on TV.

What was the first question you asked Geoff and/or Eddie about FLASHPOINT?

Adam Schlagman: If Hal Jordan wasn’t Green Lantern, what happened during BLACKEST NIGHT?

Jeff Lemire: Can I write FLASHPOINT PROJECT: S.W.E.E.T. T.O.O.T.H.?

Dan Abnett: Are you seriously going to get away with something this amazing?

Dan Jurgens: C'mon. Seriously. What are we REALLY going to do?

Tony Bedard: It was, "Can I write the Aquaman series?" I have an irrational love of Aquaman, and everyone at DC knows it.

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Peter Milligan: Can I do anything I like with this character?

Scott Kolins: When is it due?

Jimmy Palmiotti : Honestly, I asked them if they were sure they wanted me for this project...but as they both told me what they wanted me to do, I started to sport an evil smile. Anyone familiar with my other work will totally get it once they pick up the first issue.

Scott Snyder: "Is there someone doing a Flashpoint Superman story?" He's a character I love reading but isn't exactly my wheelhouse when it comes to writing. But here's this chance to do a different kind of story with Superman, one looks at the character from a brand new angle.

Mike Carlin: Would this be Golden Age Canterbury Cricket or Silver Age Canterbury Cricket?

One of the central conceits of the FLASHPOINT world is that we'll see the DC Universe in a way we've never seen it before. (Without ruining/spoiling major plot points that we should keep under wraps...) What in the mini-series you are working on is going to make fans sit back and say, "I've never seen that before?"

Tony Bedard: EMPEROR AQUAMAN presents a harder, crueler Aquaman than we've ever seen. How exactly he ended up like that is one of the great mysteries of the mini-series, but this is a guy who is ready to wipe out the surface world, which is a lot of fun to write because there's no pulling punches, no holding back.

Peter Milligan: For a start, I’m introducing a totally new character, called Mindwarp. A very different kind of character. And the story answers the question, what does the “M” stand for in Shade The Changing Man’s M-Vest—is it Meta, Madness…or Murderer?

Rex Ogle: In my mini-series WORLD OF FLASHPOINT, I have the unique opportunity to show a wider scope of the FP world. Originally, my 3-parter was going to be a series of vignettes, but I convinced Eddie and Geoff that it might be more fun for readers if it were a single story that tapped into all kinds of different pieces and parts of the FLASHPOINT universe. In the first issue alone, the reader will get to see a map of the FP world as well as get hints at the secret history that differentiates the FP universe from the DC Universe. In the second issue, which I’m writing now, I am stuffing it full of cameos. Some are pretty obvious, others you have to take a closer look at. But I can say easily that every character I write for FP, I tried to push the envelope at making them different.

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Lowell Francis: If I said vampire monkeys, would that be good or bad?

Adam Schalgman: Abin Sur - The legendary Abin Sur in action. He never died and is busy saving the universe but the threats are more severe than ever before.

J.T. Krul: For me and for fans, we get to see what Dick Grayson would be like if his parents didn't die on that fateful day. One of the tragic figures in the Batman universe is actually doing okay.

Jimmy Palmiotti: Just about everything in this book is something you haven't seen before, including some really sick new characters. The excessive amount of death and destruction goes on will catch people off guard. It is a pirate themed book after all.

Sean Ryan: A baby antelope eating its own dead mother.

Mike Carlin: We don’t see flesh-eaters on the “good guy’s side” often.

Dan Jurgens: An 1950's era Norge refrigerator. Well, that and a new character who...oh, wait! I can't!

Scott Snyder: Well, it's public knowledge that our story is about something called “Project Superman,” and with the cover for issue 1 showing the rocket landing in Metropolis, and the cover for issue 2 showing a boy in a glass cylinder, suffice it to say, this is going to be a very very different Superman story. There'll be a lot you've never seen before - still, at its heart, it's a story about Kal-El, as Kal-El. The character we all know.

Dan Abnett: Diana as a full on Amazonian warrior, true to her heritage. That’s scary. And Lois Lane at her most resourceful and determined.

Jeff Lemire: Frankenstein vs. Hitler.

Scott Kolins: There’s bunch of stuff in my CITIZEN COLD 3-parter that’s has never been done for COLD or THE ROGUES. Can you imagine COLD being the hero of Central City? What kind of hero would he be? Plus there’s the whole IRIS angle - that’s new and soooo much fun.

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FLASHPOINT FRIDAY: “As soon as he told us the story, I was in.”—Scott Snyder

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There are a lot of unanswered questions about FLASHPOINT and, starting today, we're going to start laying out some of the answers. Many of the key creators working on the FLASHPOINT mini-series will be joining us, as we pull back the curtain on this summer's superhero event.

FLASHPOINT is a huge, huge undertaking. What got you to sign onto the series?

Peter Milligan (Writer, FLASHPOINT: SECRET SEVEN): I first heard about it when Dan DiDio and Jim Lee were in London last year. I thought then that it sounded like a really interesting concept—I particularly liked the opportunity to put a spin on some characters that have lain dormant for a while.

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J.T. Krul (Writer, FLASHPOINT: DEADMAN & THE FLYING GRAYSONS): Being part of the big DC events is always fun. Just look at BLACKEST NIGHT: TITANS. Well, it was fun for me, even if it wasn't fun for the Titans. As for FLASHPOINT, it's such a wild west feel that it allowed the opportunity to write characters in a completely new way. Plus, signing on to write Deadman and the Flying Graysons gave me the best excuse in the world to swing on an actual trapeze as "research."

Dan Jurgens (Writer, BOOSTER GOLD #45): Dan DiDio first started talking about it when we were putting together the TIME MASTERS: VANISHING POINT project. He was quite clear when he said, "Let's start with a search for Bruce Wayne and transition to a teaser for FLASHPOINT. Between that and THE FLASH, we wanted to give the readers a taste of what was to come.

Mike Carlin (Writer, FLASHPOINT: THE CANTERBURY CRICKET): Having been in on the story since Geoff (Johns) pitched it to us ... I knew it would be one of the coolest, universe-spanning epics in a while. And then when asked to play in a teeny tiny corner of that universe ... it was easy to wanna play along!

Adam Schlagman (Writer, FLASHPOINT:ABIN SUR; FLASHPOINT: HAL JORDAN): I was signed on from day one. Coming out of BLACKEST NIGHT, Geoff was already hard at work developing the next universe spanning epic event…. FLASHPOINT. The massive project centers around an emotional tale featuring The Flash and Batman. But surrounding it is what happens to the DC Universe when everything changes in a flash. I’ve crafted a tale in which FLASHPOINT: ABIN SUR and FLASHPOINT: HAL JORDAN interact but can also be enjoyed separately. These two are destined to meet and when they do, they’ll leave a lasting impact on each others' lives.

Lowell Francis (Co-Writer, FLASHPOINT: PROJECT SUPERMAN): A call from Gene Ha telling me about the chance to work with Scott Snyder.

Scott Snyder (Plot, FLASHPOINT: PROJECT SUPERMAN): The story and subsequent world Geoff came up with. Period. As soon as he told us the story, I was in.

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Rex Ogle (Writer, FLASHPOINT: THE WORLD OF FLASHPOINT): When Geoff Johns and Eddie Berganza asked if I’d like to take part in DC’s biggest summer crossover, it wasn’t even a question—the answer was yes.

Jeff Lemire (Writer, FLASHPOINT: FRANKENSTEIN AND THE CREATURES OF THE UNKNOWN): Geoff's enthusiasm for the project and the world he was creating was infectious. Plus I've been an avid fan of DC and DC crossover series since I was a kid, so a chance to be part of one with such a strong core concept was something I couldn't pass up.

Gene Ha (Artist, FLASHPOINT: PROJECT SUPERMAN): Eddie Berganza. He was my first assistant editor, and he's still the most exciting comic geek I know. "This is gonna be COOL!"

The world of FLASHPOINT has been cloaked in secrecy. What's the hardest part of not spilling the beans?

Dan Jurgens: Whenever you know something cool, you want to be able to talk about it. Same thing with FLASHPOINT-- there's so much cool stuff being put together that you want to be able to let people in on the scoop!

Scott Kolins (Writer/Artist, FLASHPOINT: CITIZEN COLD; Writer, FLASHPOINT: REVERSE FLASH): I haven’t been out in public since I signed on, so it’s been quiet for me.

Scott Snyder: The hardest part is honestly the coolness of the shared world. Every corner has something fun and wild going on. Every character is re-imagined in surprising ways - but ways that make sense given who they are. You want to share it with people.

Dan Abnett (Writer, FLASHPOINT: WONDER WOMAN AND THE FURIES): I keep having to shout at my cats to vent my excess excitement, so I’m probably looking at serious vet bills right now.

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Jeff Lemire: I'm so excited about the amazing ideas and characters in the FLASHPOINT world that its really hard not to talk about them at cons when fans ask me questions.

Lowell Francis: I only have a few beans, so it’s been pretty easy keeping the lid on.

Mike Carlin: The story is so big I don’t even HAVE all the beans! I have the beans I was given and I’m holding on tight! They’re MY beans!

Tony Bedard (Writer, FLASHPOINT: EMPEROR AQUAMAN): Having worked on the editorial side, I'm not having much trouble keeping a lid on my project. They're called "spoilers" for a reason, and I'm not going to spoil anyone's enjoyment of this event.

Jimmy Palmiotti (Writer, FLASHPOINT: DEATHSTROKE AND THE CURSE OF THE RAVAGER): When taking on a project like this it's hard not to get excited and talk about it at the conventions or to other pros, but I knew going in secrecy is key to the project and in the end, there is nothing I hate more than having a story ruined for me, so in the end, it all world out. There is this one scene where death stroke puts a gun up to...wait, I can't talk about that, can I? Ah...didn't think so.

Adam Schlagman: Knowing how exciting and awesome all the ideas the writers and editors are generating as they bring this one cohesive world to life. There are so many shocking moments across the books that incite chills. It’s not easy keeping my lips sealed and holding in the enthusiasm. Fortunately all the creators have each other to talk to, yet that just amps us up more with utter excitement.

Javi Fernandez (Artist, FLASHPOINT: THE OUTSIDER): What I´m more pleased with is that people are wrong with the suppositions, so that will make for a lot of surprises.

We're going to ask the impossible. Can you sum up the series you are working on in five words--or less?

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Tony Bedard: Will Aquaman drown the world?

Peter Milligan: Shade summons Secret Seven, disastrously.

Jeff Lemire: Classic monsters fighting giant robots.

Lowell Francis: Laboratory superheroes and uncontrolled variables.

Mike Carlin: Demons and Amazons and Crickets!

Scott Kolins: Cold love and burning hate!

Dan Abnett: Peppermint aardvark plethora corduroy-- no, it appears I can’t.

Pornsak Pichetshote (Writer, FLASHPOINT: GREEN ARROW INDUSTRIES): Big business always = bad guy?

Javi Fernandez: Amazing.

Jimmy Palmiotti: A celebration of wrong.

J.T. Krul: Abandonment; despair - and Ruthless Amazons!

Sean Ryan (Writer, FLASHPOINT: GRODD OF WAR): Grodd suffers from extreme Anhedonia.

Dan Jurgens: For BOOSTER GOLD it'd be... Intrigue. Challenging. Chaos. Doom. Death.

Doomsday smashes through Detroit in SUPERBOY #6

A thoughtful conversation between Superboy and Red Robin comes to an abrupt end when Doomsday tears through Detroit... and the panel borders of this comic itself, as you'll see in the preview below!

This newly Eisner-nominated title welcomes aboard guest artist Marco Rudy, who joins writer Jeff Lemire for this fifth part of the Reign of Doomsday storyline. SUPERBOY #6 is on sale Wednesday.

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