“There is a reason that so many horrible things happen in Gotham.” – J.H. Williams

(The cover for BATWOMAN #1 by J.H. Williams III)

On September 14th, the eagerly anticipated BATWOMAN #1 will fly onto stands. Co-writers J.H. Williams III and W. Haden Blackman talked to us about what’s in store for Kate Kane including the reveal of new villains and where issue one begins.

THE SOURCE: What about DC's new 52 titles excites you the most?

J.H. WILLIAMS III: There's seems to be the possibility of re-grounding things, and some surprising entries for new titles.

W. HADEN BLACKMAN: I'm really fascinated by how each of the creative teams is going to tackle the notion of a "New #1," especially with some of the characters who have had complex histories or been portrayed in different ways over the years -- characters like Wonder Woman, Aquaman, and Hawkman. I'm also very happy that BATWOMAN is part of this -- we've been working on the series for quite some time already, and it'll be fantastic to finally see Issue #1 on stands.

How and why are you shaking up the series' status quo?

JHW: It's hard to say how much we're shaking up the status quo for Batwoman because there is still so much to explore. However, this series will be the place to see more otherworldly aspects of the DCU. But don't think we'll be settling for just that. The series is going to be a wild ride over the first 3 arcs.

WHB: A big mantra for us with BATWOMAN is "There Is No Status Quo." Since this is a new ongoing, we wanted to make sure that Kate Kane/Batwoman is always moving forward, always changing and evolving as the series progresses. We never want you to read an issue and feel like it doesn't matter to the characters or that things can just easily "reset" after each arc. When we open, Kate is estranged from her father, embarking on a new romance, and trying to figure out if she's mentor material. But by the end of the first arc, all of these relationships will have changed in some meaningful way.

What new characters will debut in the series?

JHW: Well first off we'll be focused on developing a rogue's gallery for Batwoman, and leading that charge will be The Weeping Woman. It's very important for heroes to have strong villains. This is what helps define a hero's character. Right now Batwoman only has Alice for the most part. We're going to change that in a very big way. By the time the second arc wraps we'll have established no less than 5 new villains. We're excited over the impact this will have in the life of Batwoman, Kate Kane and the rest of the cast.

WHB: We really want to create a strong Rogue's Gallery for Batwoman, so we're using the first arc to introduce a new (and very creepy) villain called the Weeping Woman, based on a figure from Mexican folklore. She's one of my favorite types of monsters - someone who does horrifying things, but is also tragic and sympathetic in many ways. The second arc features even more new villains, and a new take on a Gotham local.

Will we see new character designs?

JHW: Well, any new designs pertain to what I said above. But for Batwoman herself? No. But there will be some interesting things to develop for some of the cast over the first year of the series that will lead to bigger things.

WHB: We'll definitely see one new uniform in the first art, but not necessarily for Batwoman …

What's the first line of dialogue in the first issue?

JHW & WHB: "She is a terrible thing..."

What's the biggest surprise you've had working on this character/book?

JHW: Just how invigorated I am over the results. We're developing something multilayered and nuanced that, if readers stick with us, will see it pay off in some very surprising ways. We're very gratified in seeing how much we can twist the superhero genre as we move from arc to arc, but yet retain this clear momentum that all makes sense by the end of our third arc.

WHB: That my favorite scenes to write are actually the "quiet moments" between Kate and her significant other.

What secret has been the hardest to keep?

JHW: Well, this is a trick question isn't it. I mean if something is supposed to be secret until revealed in the story, then I really can't give you an answer without spoiling things can I?

WHB: The release date. And details about the new villains.

What’s the unofficial tagline for this series, in your own words?

JHW: There is a reason that so many horrible things happen in Gotham.

WHB: "It's not a costume; it's a uniform." We keep coming back to this notion that Kate was trained as a soldier, and still views herself in that light. She dons the uniform to do a job, complete a mission. But under the mask, she's always still Kate Kane -- there aren't two identities that she shifts between. What happens to Kate in her "civilian" life affects Kate as Batwoman, and vice versa.

What were your thoughts about the day-and-date digital announcement?

WHB: I think it's a really important step for the industry as a whole to stay relevant and evolve. Whether people like it or not, digital distribution is here, for everything from movies to games. For me personally, nothing is going to replace going into my local shop and getting my stack of comics every Wednesday, but digital distribution provides more choices to readers, and hopefully opens the door to new readers.

DCU IN 2011: Gothic horror, action and BATWOMAN in 2011

2010 was a big year for Batwoman, with the publication of the beautiful hardcover of BATWOMAN: ELEGY and issue #0 of generating flat out rave reviews in the press. 2011 promises even bigger and better things with the launch of the eagerly anticipated BATWOMAN ongoing series.

For insight into what’s in store for Kate Kane, we reached out to J.H. Williams:

“We're very excited over the things we've come up with for Batwoman. Many layers to the story will unfold as the series progresses, and we'll be going for a genre bending approach to things. We're starting things off very much in a gothic horror type of story, and this will dovetail into more of a classic spy espionage plot with a touch Tarantino like structure, that in turn dovetails into more of a fantasy epic. The interesting thing about this genre bending plot movement is that these stories will be interconnected by an overall arcing plot. And while doing so, some of our main goals are dealing with the fall out between Kate Kane and her father Colonel Jacob Kane over the lies about her twin sister's death from when they were children. This is stemming from events in the BATWOMAN: ELEGY book. We are also going to be creating a rogues gallery for Batwoman. Right now she really only has Alice and the Religion Of Crime. While those elements are great, we feel that Batwoman's longevity as a strong character will be greatly enhanced by building her a mythos of villains that she can call her own, and we've got some very mean gruesome ones on the way. Detective Maggie Sawyer will also have a major role in the series as we explore the possibilities in Kate's personal life and how they relate to her being Batwoman. We're going to explore Batwoman's relationship with Flamebird (Bette Kane, Kate's cousin) in some very interesting ways. And while all of this is going on, a very powerful governmental agency is going to be breathing down her neck. As the series rolls out you can expect horror, action, intrigue, fantasy, heroism, and a whole lot of villainy.”

The collaborative process on comic books is always notable and never more so than with the new series. J.H. and W. Haden Blackman are co-writing the series and J.H. and Amy Reeder are re-defining the very concept of artistic collaboration with amazing visuals, along with award winning colorist Dave Stewart.

What’s that writing process like? Take it away, Mr. Blackman.

“The writing process is pretty organic. We usually start with a bunch of disconnected ideas – scenes, snippets of dialogue, a villain, a big set-piece, the fate of a specific character – and work together to put those into a coherent structure with an actual character arc. We go back and forth between being very freeform and creative, and then knuckling down and focusing on nuts-and bolts structure; I’ve actually been really pleasantly surprised that as a team, we’ve been able to transition back and forth so easily. Then for any given issue, we both write first drafts of different scenes – but again, it’s a very organic process. If one of us has a strong vision for how a panel or sequence plays out, or can hear a particular conversation in our head, then we run with that scene. We then compile these scenes into a draft for the entire issue and spend hours on the phone hashing out choreography, rewriting dialogue, and smoothing out all the little details.

“When we first starting working on this title, I thought I’d be most excited about writing all the big superhero moments. And those are certainly a lot of fun to write, but the more I get to know these characters, the more I enjoy the quieter, more personal moments – the complexities of Kate’s relationships with her father, Bette, and Maggie all allow for a lot of great scenes and exchanges.”

And here’s what Amy Reeder had to say about the art for the series:

“JH had the idea to collaborate on the interiors of the 0 issue, something to involve me in the tease of the sort of art that's to come on the series. Starting with issue 1, we will be trading off arcs as you might usually expect. He will be drawing issues 1-5 and I'll be drawing 6-11. In addition, we'll each be doing a cover for the issues. I'll be drawing the variants for JH's issues, and he'll be drawing the variants for mine! I'm so happy to be involved to this degree and hope that the end product is a seamless collaboration.”

Readers who picked up BATWOMAN #0 got an early sneak peak at JH Williams’ uncolored art from the first issue of the ongoing series. In case you missed it, here are those amazing pages, along with another page of art by JH and Amy Reeder’s stunning variant cover to issue 1.

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