What’s going on with Superman? Find out now

Good morning, Source readers. We’re slowly getting acclimated to this west coast time business and getting down to, well, business here at San Diego Comic Con. First up on the agenda is the SUPERMAN: TWO WORLDS panel, which kicks off in a few minutes. I think I still see a few seats available, so, if you’re milling around, you still have time to head over to Room 6DE to listen to some of the talented creators working their magic on the Superman franchise.

So, who’s on deck? Well, none other than Superman Group Editor Matt Idelson, writers Geoff Johns, Greg Rucka, James Robinson, Sterling Gates and artist Renato Guedes. Who better to talk about Superman? Torn between two worlds, Earth and New Krypton, things have never been more trying for the Man of Steel, and it doesn’t look like it’s going to get any easier.

But if you couldn't make it to the show, fret not. We've got some cool Superman art for you to peruse right here.

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A day in the life of SUPERMAN Group Editor Matt Idelson

Ooh, look! Sun! I’d forgotten what that looks like. Neat. Today is a bit of a mad scramble (what else is new?). We’re wrapping up the lettering on ACTION COMICS #879, which means a lot of emailing back and forth with letterer Rob Leigh. He’s come up with what I think will be a stronger method for the English subtitles to all the crazy Kryptonian speak going on in the book. And if this doesn’t work, we’ll just start throwing sound chips in the book!

Also on the lettering front, Jared Fletcher, the man of many nicknames, has delivered the first round of lettering for SUPERGIRL #43, and man, he’s done a great job. We asked him to do something slightly different here for Kara’s narrative, and he’s knocked it out of the park. The whole issue is somewhat of a departure, and definitely a pallet cleanser after a few months of asking, “Who is Superwoman?” I swear, Sterling and Jamal are getting exponentially better by the issue! One guy who’s not getting better is Jon Sibal, and that’s only ‘cause he couldn’t possibly get any better. The fact that he’s crazy in a good way just adds to the joy of working with him. And Wil tells me that Jon tells him that he’s inking the last page of the issue right now. I love it when a plan comes together.

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Just got a couple of new pages in from Javi Pina for the upcoming SUPERMAN ANNUAL (#14 for those of you keeping score at home). Man!!! I’ve worked with Javi before on a few occasions, but this is far and away the best work I’ve ever seen him do. James challenged him with a heck of trippy story, and I’m already dying to see what people think of the finished book. Well, August will be here before I know it.

Spend a few minutes chatting with Wil about a new costume we’re having designed for… well, don’t want to give that away here, in case anyone is actually reading this thing. The main design is coming along nicely, and we’re at the stage of small tweaks in order to put a wrap on the thing. This is going to be very, very cool.

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Hmm. It’s 3. I should eat something, but what? Right, what I always eat—oatmeal. 10 minutes and a burnt tongue later, I’m back in action. Associate editor Sean Ryan brings by a couple of rate requests for me to sign. These are the forms by which we set up page rates for artists, writers and so forth. He’s been bringing me an awful lot of these lately. I’m starting to suspect he’s hiring childhood friends or something. I’ll have to talk to him about this.

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Engage in a quick conference call with Wil and Greg Rucka about some costume designs going on there—next week is the start of July, and that means beginning work on our covers for the books that come out in December. Yes, we actually do plan ahead that far. Actually, in the case of the Super-books, we’re planned through the end of 2010. In fact, I take this blessed opportunity of basking in Greg’s phone aura to confirm when the Super-writers will engage in our next weekly chat—next week looks iffy. Something about a holiday. We’ve got a lot of work to do before we all meet up in San Diego in the days leading up to the convention, putting a lock on a few dangling items for 2009 publication so we can spend the time in sunny CA (indoors, ‘natch) planning in great detail the first half of 2010 and as much of the 2nd half as we can squeeze in.

Oop. Just missed a message from James Robinson. He’s included an odd comment on one of the profile pieces for August’s SUPERMAN SECRET FILES. My, he’s in a jaunty mood. It seems we’ve missed some important elements in the costuming of a non-superhero character, and he’s absolutely correct. He’s also got an idea for the inclusion of some characters normally outside the realm of Superman for next year’s stuff, and ways to maybe spin them out into something of their own afterwards. No wonder he’s so jaunty.

I mark the 4:00 hour by sending my lettering notes on SUPERGIRL #43 to writer Sterling Gates, and then remember he’s on a plane to Dallas for a convention. –Sigh- my day is empty without some correspondence from Sterling. Oh, well.

I settle instead on talking to Pete Woods, who’s juggling putting together a map of Kandor for the SECRET FILES while drawing the next issue of WONK (World of New Krypton). Man, he just gets better and better, and his design sense is incredible! He’s done an amazing job in less than half the series with really establishing New Krypton as a world, with all sorts of different sets and locales.

The feeling begins to return to my tongue just as a new batch of pages arrives from Gary Frank for SUPERMAN: SECRET ORIGIN #2. There really aren’t adjectives that I can apply to Gary—he’s in his own stratosphere, and I feel stupidly lucky to be working with him and Geoff on this project—it’s simply incredible. Geoff seems pretty happy with the pages, too, and I’m glad to have an excuse to give Gary a call, even if most of our conversations steer towards the insanity of Italian politics. (Don’t ask.)

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I’m in the middle of typing up some notes on SUPERGIRL ANNUAL #1 for the mysterious colorist who only goes by the name “Blond” when Liz Gehrlein drops off two more jaw-droppingly cool profile pages by Francis Manapul for SECRET FILES. Ab-so-lute-ly stunning! This is going to be one special Secret Files. This reminds me that I need to turn in pages from artist Matt Camp, who’s illustrated a seven-page story that James wrote for the book. So many balls in the air, so few hands…

And then the next thing I know, it’s 6:00, time to close up shop, blow out the candles, and be thankful another day that I didn’t set my office on fire.

Just another day for the SUPERMAN Group Editor

Hey folks! As usual, we have our regular “From the Editors” post  coming your way. Being the diligent worker we all know and love, Matt Idelson  managed to give us his entry early, as he made his escape to the distant land  of Barcelona. Enjoy...

Spring has reverted to summer here in New York, which would be a nice thing if I could have class outside. Alas, I have a job to do, and panic’s starting to set in. The offices close early today going into Memorial Day weekend, and of course we’re closed Monday. Which means aside from Tuesday, I’ll be out of the office for a week and a half, attending a convention in Barcelona.

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Tops on the priority list is putting a wrap on ACTION #878, the first of a two-part story by Greg Rucka & guest artist Diego Olmos that introduces us to a new pair of Kryptonian sleeper agents. Once I’m done giving the lettering a final pass, it comes down to waiting for the trusty and reliable Rod Reis to keep feeding us pages of color to go over. I know already that assistant editor Wil Moss and I will be reviewing pages over the course of the weekend so Rod can have the final colors ready for us when we come in Tuesday morning.

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Not far behind that is keeping things moving on the ACTION ANNUAL, which comes out the week after ACTION #878. Greg’s done a very different story for this one, and it’s coming together beautifully. Pere Pérez, who knocked it out of the park with the GUARDIAN SPECIAL last fall, is doing all 40 pages of this one, and it’s pretty awesome. Right now I have to start reviewing Mazi’s colors for the book—they’re gorgeous, but of course I have to go over them with a fine-tooth comb and make sure everything is as it should be. The guy can color, though, no question!

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My focus is broken when Wil, associate editor Sean Ryan and editor Liz Gehrlein pop in for our daily session of updates, problem solving and movie reviews. Today I discover that neither Liz nor Sean had seen “Taxi Driver” before the past weekend. I am appalled. Some of our discussion centers around actual work, in this case some ideas Geoff Johns has had for his contribution to the upcoming SUPERMAN SECRET FILES. Geoff has an alteration in mind that opens up some interesting possibilities …

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The gang leaves to do their thing, and I get back to ACTION – but  wait! An excellent colorist who goes by the name “Blond” has accepted our offer to color the upcoming SUPERGIRL ANNUAL since our regular SUPERGIRL colorist, Nei Ruffino, is way too busy. That’s the good news. The bad news is that this means I have to establish a pay rate for him—I’m guessing he won’t do this for free out of love for the medium.

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Oh, look – it’s almost 1. Gah! Clearly I’m not getting out of here when the offices close. That’s cool—I have the best job in the world anyway. Leisure and cookouts can wait. Especially when I get an email from David Macho in Spain, with Santiago Arcas’ colors for the first installment of our Captain Atom co-feature, which will debut in ACTION #879. David says in the email that we’ll be stunned by what we see. He wasn’t kidding!!!!!! Man, I can’t wait for that issue to come out. The readers are definitely in for a treat!

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The phone rings and Jim Fletcher of DC Direct fame is on the line with some Superman-related questions, mostly of the “will this character be around a year from now?” variety. They do really cool stuff down there, and I’m eagerly awaiting my Mike Carlin action figure.

Cue a discussion over Rocket Reds with SUPERMAN artist Renato Guedes, figuring out what the tomb of Zor-El is going to look like with Pete Woods, going over lettering corrections for SUPERGIRL #42 with Sterling Gates, a new idea from Geoff (him again?!?) about the end of SUPERMAN: SECRET ORIGIN #2, annnnnd the end of the day has finally arrived! Well, it’s 1 o’clock somewhere …

A day in the life of SUPERMAN Group Editor Matt Idelson

Ah, dawn in the city. I start going through emails. Renato Guedes has sent us pencils for pages 9-10 of SUPERMAN #688. Wow, these are gorgeous! Renato has been nice enough to draw this critical scene first, as we’ll be flashing back to it in SUPERMAN ANNUAL #14 a couple of months later.  Some more gorgeous pencils are in from guest-penciller Fernando Dagnino for SUPERGIRL #41—man, he’s SO good. Looking at our schedule, however, I’m thinking it might be more logical to ask Fernando to draw the upcoming SUPERGIRL ANNUAL rather than ACTION #878-879.

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Dan pops his head into my office and wishes me a good morning. Communicate with Fernando’s agent, David, by email and put forth my suggestion. He’ll get back to me. Most of the other emails are either updates on work progress or artists stating their availability.

I go through the lettering for SUPERMAN #687 one last time in preparation for the book to be sent off to the printer, then look over the latest inked pages from Pere Pérez for June’s ACTION ANNUAL. Really, really great stuff! Man, I’m lucky. Get an email from Greg Rucka saying how happy he is with the pages as well. Greg’s up early this morning—must be ‘cause he has kids.

Jamal Igle drops me an email—he’s back from two weeks in France with his wife and daughter. I should have been a penciler. Enjoy a chat with Gary Frank regarding SUPERMAN: SECRET ORIGIN #2 and the cover he’s working on for SUPES: WORLD OF NEW KRYPTON #5.

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While on the phone with Gary, Pete Woods submits a design for a new character who will be playing a progressively larger role in the Superman books over the summer. All I can say is, “WOW!” I don’t know how he does it time and again, but Pete nails it on the first try.

Assistant Editor Wil Moss strolls in with some last-second questions regarding the SUPES #687 coloring, specifically involving a scene deep in the heart of Metropolis’s sewers, were Atlas currently hangs his hat. As usual, he raises an excellent point, and splits to let colorist David Curiel know what we’re thinking. Then he returns with Editor Liz Gehrlein and affable Associate Editor Sean Ryan—must be time for our daily group meeting. We review the state of our respective books, running proposed solutions by each other, then get to discussing the various pitches we’re considering for a very-down-the-road 80-page book.  In the process, we eliminate a few repeating beats in a couple of the stories and see a theme for the overall book emerging. Also in the process, a good twenty more emails show up.

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The lunch hour arrives, which means eating at my desk and attempting to catch up on email. I also spend a bit chatting with James Robinson, who is putting the finishing touches on a Captain Atom story he is co-writing with Greg. He, Greg and I then share our thoguhts—via email—on the initial designs that come in from the Captain Atom artist, CAFU. Simply stunning! We explore steering some of the architectural designs in a slightly different direction.

All of the sudden it’s 1:30, which means it’s time for the weekly Superman writers’ chat. Liz, Sean and Wil reemerge from their offices to join me, and we phone up Greg, James and SUPERGIRL writer Sterling Gates and begin a very focused discussion on our next crossover between the Super-books in August. What these guys have come up with is simply amazing, and I’m getting more and more excited about the event. About five minutes in, Geoff Johns joins us—in person!  Geoff’s taken up temporary residence in our fine city while constructing the upcoming BLACKEST NIGHT epic. I choose not to ask Geoff who’s feeding his dog, just in case he’s forgotten about that.  The call ends at around 2:45, but that’s only because we editorial people have a meeting coming up which we need to prepare for.

3:00 on Wednesdays means it’s time for our weekly staff meeting. Part of the focus each week is on the general status of the many books coming out from now through about 12 weeks down the line. Dan also goes through a couple of top-secret items with the full staff, then fills us in on his trip to Seattle’s Emerald Con. Sounds like a great show, and the fan response he got is really gratifying to hear.

The rest of the day is divided between returning emails, finding reference for artists, taking stock of the status of our covers and solicits for the next catalogue cycle with Wil, and preparing as best we can for what awaits us tomorrow.

5:30 rolls around and I head for my long train ride home, during which I’ll be reading Greg’s latest script pages for the ACTION ANNUAL and a short story by James for the upcoming SUPERMAN SECRET FILES detailing the humble beginnings of a certain Project 7734.

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