It's Mother's Day in MAGOG #4

Magog has a mommy? Who knew? Well, I'd imagine writer Keith Giffen and artist Howard Porter did. That's all the info we have for you, Source-ers, but we do have a lovely Porter design sketch for you to look at. We also managed to corner MAGOG editor Mike Carlin into giving us a tad more info on who this lady really is. Take it away, Mike:

"We’ll meet Magog’s Mom, Alba in issue #4...When she calls Magog back home to Albion. Where the demigod’s roots are!"

Fair enough. MAGOG #4 hits in January.

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Mike Carlin on Comic Cons past and present

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Legions of us (us-- you-- >gasp< -- THEM!) are packing now and will soon converge on the southern California town of San Diego… for the 40th Annual COMIC-CON INTERNATIONAL! (Next Wednesday, in fact!)

40 years! 1970 to 2009! >Whew!<

And this will be my 19th time at this show in the last 20 years… and, man, has Comic-Con become the event of the year in that time! Today this convention is regularly covered on television and in magazines and draws creators and fans of all media… a far cry from the days when folks sat in hallways with their dog-eared collection of comics at their feet… just looking to trade for something they didn’t have—or hadn’t read!

Now Hollywood and Gaming and media of every stripe make this their home-base/launching pad—reaching the folks they need to speak to directly/instantly. Some people grouse that the show isn’t about comics anymore… but this convention has been about comic art, film and science fiction from the start! And this kind of attention and respect for the form some of us work in-- and all of us enjoy-- IS exactly what we were looking for, wasn’t it?

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And while I’ve only been to 19 cons in San Diego I have been attending conventions around the world (England, Mexico, Australia) in the years since… and actually attended my first convention when I was 11 years old in New York City. My Mom took me to one of the early

shows run by the legendary Phil Seuling in Manhattan in1969.

What I liked about that convention then is what I like about going to San Diego now: I get to meet the people who do the creative work I like. Before comic conventions you couldn’t meet Picasso… or Hitchcock… or Groucho as a fan… but now, thanks to conventions like the one next week, we can meet the people we admire and respect. We can chat… and bond… and share what we all love!

We have a place where we belong to each other… people can tell me what they like or dislike about the work I’m involved in… AND if I’m lucky I get the chance to say hey to the comic writers and artists I know and love (and hope to work with in the future)… as well as rubbing elbows with folks like the guys from MR. SHOW (not comic books—but comics)… Jane Wiedlin (hey, music ain’t comics… but it IS something I like! And DC Comics DID sport Go Go Checks for a period!) and maybe… just maybe … I will bump into Hayao Miyazaki!

>Gasp! Again!<

See you there… us and them, too!!

Just another day for the SUPERMAN Group Editor

Hey folks! As usual, we have our regular “From the Editors” post  coming your way. Being the diligent worker we all know and love, Matt Idelson  managed to give us his entry early, as he made his escape to the distant land  of Barcelona. Enjoy...

Spring has reverted to summer here in New York, which would be a nice thing if I could have class outside. Alas, I have a job to do, and panic’s starting to set in. The offices close early today going into Memorial Day weekend, and of course we’re closed Monday. Which means aside from Tuesday, I’ll be out of the office for a week and a half, attending a convention in Barcelona.

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Tops on the priority list is putting a wrap on ACTION #878, the first of a two-part story by Greg Rucka & guest artist Diego Olmos that introduces us to a new pair of Kryptonian sleeper agents. Once I’m done giving the lettering a final pass, it comes down to waiting for the trusty and reliable Rod Reis to keep feeding us pages of color to go over. I know already that assistant editor Wil Moss and I will be reviewing pages over the course of the weekend so Rod can have the final colors ready for us when we come in Tuesday morning.

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Not far behind that is keeping things moving on the ACTION ANNUAL, which comes out the week after ACTION #878. Greg’s done a very different story for this one, and it’s coming together beautifully. Pere Pérez, who knocked it out of the park with the GUARDIAN SPECIAL last fall, is doing all 40 pages of this one, and it’s pretty awesome. Right now I have to start reviewing Mazi’s colors for the book—they’re gorgeous, but of course I have to go over them with a fine-tooth comb and make sure everything is as it should be. The guy can color, though, no question!

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My focus is broken when Wil, associate editor Sean Ryan and editor Liz Gehrlein pop in for our daily session of updates, problem solving and movie reviews. Today I discover that neither Liz nor Sean had seen “Taxi Driver” before the past weekend. I am appalled. Some of our discussion centers around actual work, in this case some ideas Geoff Johns has had for his contribution to the upcoming SUPERMAN SECRET FILES. Geoff has an alteration in mind that opens up some interesting possibilities …

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The gang leaves to do their thing, and I get back to ACTION – but  wait! An excellent colorist who goes by the name “Blond” has accepted our offer to color the upcoming SUPERGIRL ANNUAL since our regular SUPERGIRL colorist, Nei Ruffino, is way too busy. That’s the good news. The bad news is that this means I have to establish a pay rate for him—I’m guessing he won’t do this for free out of love for the medium.

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Oh, look – it’s almost 1. Gah! Clearly I’m not getting out of here when the offices close. That’s cool—I have the best job in the world anyway. Leisure and cookouts can wait. Especially when I get an email from David Macho in Spain, with Santiago Arcas’ colors for the first installment of our Captain Atom co-feature, which will debut in ACTION #879. David says in the email that we’ll be stunned by what we see. He wasn’t kidding!!!!!! Man, I can’t wait for that issue to come out. The readers are definitely in for a treat!

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The phone rings and Jim Fletcher of DC Direct fame is on the line with some Superman-related questions, mostly of the “will this character be around a year from now?” variety. They do really cool stuff down there, and I’m eagerly awaiting my Mike Carlin action figure.

Cue a discussion over Rocket Reds with SUPERMAN artist Renato Guedes, figuring out what the tomb of Zor-El is going to look like with Pete Woods, going over lettering corrections for SUPERGIRL #42 with Sterling Gates, a new idea from Geoff (him again?!?) about the end of SUPERMAN: SECRET ORIGIN #2, annnnnd the end of the day has finally arrived! Well, it’s 1 o’clock somewhere …

A new era begins for the JUSTICE SOCIETY OF AMERICA

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In about a month or two Justice will be served up fresh and furious by a brand new team starting with JUSTICE SOCIETY OF AMERICA #29! That’s right, fabled writers Bill Willingham & Matthew Sturges will join phenom artist Jesus Merino just as several new members join the storied super-hero team itself in a story arc that’s sure to shake the JSA and the group’s Mansion headquarters to its very core!

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Almost every villain available AND their brother have joined the bounty hunt for almost every single member of the JSA… while a murderous mystery takes hold at their home base—with two new legacy members at the center of the storm!

That’s the general pitch—but so you don’t think this is just another biased load of hype you really DO have to take a look at the attached bunch of pages from the first couple of issues of this storyline—called THE BAD SEED! These pictures by amazing artist Jesus Merino really ARE worth a thousand words so I will basically shut up from here on!

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I did say basically… because I don’t want to sell the writers and their contributions short either… bringing a fresh—if skewed look to the show, Willingham & Sturges are outdoing themselves. And while I can’t speak to their day-in-and-day-out interaction/collaboration… they seem to be on the same page—though something tells me that the JSA might not be the only team shaken up by this lead off adventure!

Oh… and some folks will be returning to the JSA, too… so the fate of this series really IS in good hands!

Taking a moment to give the TRINITY team some kudos

This past Wednesday saw the publication of TRINITY #45… and as of today all the plots are written… the co-features are drawn and inked through issue 51… And Mark Bagley and Art Thibert are well into the art for issue #50.

So that’s seven more issues for you… and one and a half for us!

Without patting ourselves on the back here for doing what we set out to do (we SHOULD always do that)… I WOULD like to pat the guys who’ve done the Herculean part of the assignment for the last year! Weekly comics are hard… but we’ve done a few of them lately… and I was personally involved in the SUPERMAN titles when they were virtually weekly back in the day. But weekly comics are HARDER when you have a bunch of people represented on virtually half of the pages of every single issue for that year!

No one writer or artist did that on SUPERMAN… JG Jones DID do every single cover on 52—and that was amazing. The writing team of Grant Morrison, Greg Rucka, Mark Waid and Geoff Johns did a quarter of each issue for a year. And only Paul Dini was in on the whole of COUNTDOWN… supervising another team of writers.

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But Kurt Busiek, Mark Bagley, Fabian Nicieza and Art Thibert have touched the equivalent of about half an issue every single week for the last year! This is a simply phenomenal achievement!

For the artists this is a commitment of over 600 pages in one year and Kurt’s had his hand in every single page that’s 1160 pages in one year, sports fans!

Sure we’ve had help from co-featured players like Scott McDaniel, Tom Derenick and Mike Norton with Andy Owens and Wayne Faucher, too… and most of them had other gigs producing comics on time for DC this year!

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(And you won’t catch leaving out recognizing the weekly work of colorists Pete Pantazis on the Bagley-Thibert section and Allen Passalaqua on the co-features—they haven’t missed an issue either. And while letterer Pat Brosseau HAS missed about 30 or 40 pages… it wasn’t his fault, AND that’s still 1100 pages on this one series!)

In an age where everyone can debate the ultimate merits of any single comic series (or novel, or movie, or TV show), nobody can argue with a great work ethic… I would like to offer a round of applause to the TRINITY team!

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