An underwater danger threatens Aquaman -- and the Demon

We've had an exciting flurry of J. Michael Straczynski news in the past week or so, and we can understand if you're jonesin' to read his upcoming work on SUPERMAN and WONDER WOMAN. Well, have you checked out BRAVE AND THE BOLD yet? In issue #32, a horrifying lost city has risen at the bottom of the ocean, and Aquaman must call on the supernatural might of Etrigan, the Demon to stand between humanity and the dark menace that lurks inside that forgotten realm. An undersea chiller courtesy of the team of JMS and artist Jesus Saiz.

BRAVE AND THE BOLD #32 hits 3/17.

[gallery link="file"]

New ACTION art team in June: Woods on interiors, Finch on covers

I'm not much of a mind reader, but I'm pretty sure some of you were wondering this while reading the first issue of LAST STAND OF NEW KRYPTON: What is Pete Woods doing next?

Well, he's doing two more issues of LAST STAND, that's a given. And those'll be a treat, brought to you by the writing team of Sterling Gates and James Robinson, and a perfect lead-in to the "100-Minute War" that's kicking off in WAR OF THE SUPERMEN.

And, starting in June, Mr. Woods will be joining new writer Marc Guggenheim as the regular artist on ACTION COMICS. Pete's done a spectacular job chronicling Kal-El's adventures on New Krypton, so it was a no-brainer to have him swing on over to one of the ongoing titles. But what does he have to say about it all? Take it away, Pete:

"I am absolutely thrilled to be working with Marc on Action Comics. I also feel incredibly blessed to have David Finch doing covers- I have

been a fan for years. Marc and I have some fun plans for this book and intend for it to live up to it's name!"

Oh, and we have some art to show, of course. Here are a few pages from the next issue of LAST STAND.

smlsnk-0208600

smlsnk-0202-03cmyk

And if you're going to be in the Seattle area this weekend, make sure to say hello to Pete, who'll be at the Emerald City show as well.

But that's not all we have to talk about here. In addition to Woods coming on board as the regular artist, ACTION COMICS will also be sporting a new cover artist in superstar David Finch, who kicks off his run with this menacing look at Lex Luthor.

actioncomics-cover-cmyk

THE LAST STAND OF NEW KRYPTON CONTINUES IN SUPERGIRL #51

Amidst Brainiac's assault on New Krypton, General Zod has brandished the Legion of Super-Heroes terrorists and imprisoned them. Superboy will do his best to free them, but he'll have to go through Supergirl first -- wait, what? You read right, folks. It's the Super-brawl you weren't expecting, courtesy of writer Sterling Gates and artist Jamal Igle.

SUPERGIRL #51 hits 3/17.

[gallery link="file"]

A few links of note — JMS edition

sm_cv700-copy

That was some big news on Monday, eh?

And with big news comes big reaction, with a number of outlets picking up on the fact that JMS will be writing SUPERMAN and WONDER WOMAN in July and commenting on his excellent essay, posted later in the day Monday.

Bryan Young, writing at THE HUFFINGTON POST, summed things up nicely: "I can't wait to see what he'll do." Same here, Bryan.

In addition to THE HUFFINGTON POST, the news got placement at a number of outlets, including AOL’s COMICS ALLIANCE blog, TIME’s TECHLAND, IGN, io9, NEWSARAMA, COMIC BOOK RESOURCES, iFANBOY, ICv2, ROBOT 6, AIN’T IT COOL NEWS and BLOG@NEWSARAMA.

No limits: J. Michael Straczynski on SUPERMAN, WONDER WOMAN

One of my very earliest memories as a child is of watching one of the Superman cartoons created by Max Fleischer. In particular, a scene where Superman puts his cape around Lois Lane to protect her from an incoming tide of molten metal. I imprinted on that image like a baby duck, and a lot of what I laughingly call my personality was formed in that moment (which is why a cel-recreation of that image is one of the first things you see upon entering my home, before you get to the row of wall after wall covered with artwork by Alex Ross, Curt Swan and others, as well as just about every bit of Superman memorabilia ever produced).

sm_cv700-copy

As a kid growing up in the mean streets of New Jersey, Superman was an icon for me. It was a tough life: we moved about 21 times in my first 17 years, we didn't have much money, and every day was a struggle. When I told grown-ups that I was going to be a writer someday, nobody listened, nobody thought I had a chance, because as far as teachers were concerned, kids like me who came from nowhere and nothing were dead-enders, destined to end up working at the gas station at best or in jail at worst. Writers were supposesd to be Ivory Tower guys with leather patches on the elbows of their smoking jackets, who went to the right schools and came from the right families. I lived in the world of No, a place populated by bullies and street fights and tenements, with no possibility of escape.

But Superman...see, Superman could do anything. If there was someplace he didn't want to be, he could just fly away. And he couldn't be hurt, which to a kid who got beat up pretty regularly in fights and elsewhere was a pretty attractive idea. Superman taught me the morals and ethics I draw up on to this day: to play fair, not to lie, and to be willing to put yourself between harm and those you care about.

If Superman could do anything, then maybe I had a chance. Maybe I could become a writer. Maybe I could even learn to fly. That symbol, the S, became a badge for me, and growing up I always made sure I had it somewhere on me, like a shaman's charm. That may sound silly, and from a grown-up perspective it probably is silly, but as Henry Kissinger once said, it has the added benefit of being true. And it helped me get through the hard times, which is why I continue that practice to this day...right now it's on a key-chain in my pocket.

For me, and I suspect for a lot of people, that symbol stands for the belief in our own potentiality, in what we think we can do, and try, and aspire to. I was watching the news recently, and they were showing Palistinian protests, followed by a story on the night life scene in LA, and later on, a live report from London about somethingorother...and in the background of each of those stories there was somebody wearing a Superman t-shirt or cap. It's universal.

And there's a reason for that, a secret no one knows, but I'll tell you, because of how long I've known you, and our longstanding friendship.

And the secret is this:

The Superman symbol is Kryptonian for No Limits.

And whether or not you speak Kryptonian (or Kryptonese), you know that...you know that deep inside, where even the cynicism of the world cannot reach.

I've told this story before in other places, so at risk of being redundant...back a few years ago, I was at the Chicago Comic Con when a guy in his 20s grabbed a bunch of expensive stuff off a table in the dealer's room and made a run for it. The ownere ran after him down the aisle, yelling "stop him!" As he came in my direction, everybody parted like the Red Sea.

I brought him down like a gazelle, and we held him untnil the police showed up.

Afterward, one of the con organizers said to me, "Why'd you do that? He's a big guy, you could've gotten hurt."

And I pointed to where I'd been standing when it happened: right in front of a ten-foot-tall cutout of Superman. "How could I stand in front of that, in front of him," I said, "and do nothing?"

ww-cv600-copy

As Superman has been for me, so Wonder Woman has been for a lot of women readers, so the chance to dive into that character is something I'm eagerly anticipating. This is a strong, mythic, powerful character who for some time now has been kind of drowning under the weight of her own mythos, so I'm looking forward to paring away some of the layers of debris and undergrowth that have piled up around her in order to get to the core of the character. Coming from the world of TV and film, the first rule you learn is to service the main character more than anything else, so I'll be writing with an eye firmly fixed on that rule.

As part of that process, we're going to be looking more closely at how Wonder Woman appears, and functions, and her role in the DCU...and what we have planned will, we hope, come across as dynamic and powerful as she deserves to be.

Similarly, we plan to bring Superman back to his roots, to really explore who he is...how he sees us, and how we see him, in a much more personal way than we've seen in a while. This is part of a larger effort that will have national ramifications, but I can't say much more about it than that for now. Keep an eye on this website for more information when the time is right...but for now, let's just say that Superman may be a lot closer in proximity to you, the reader, than you ever guessed.

To kick off both efforts by appearing in the anniversary issues of these two characters is a great opportunity, and a good jumping-on point for readers.

If there's any other message in this to readers, it's in these two characters as icons of hope, that it doesn't make any difference where you come from, or where you went to school, or who you are, there's hope. That a kid from Jersey with Superman as the icon that kept him alive for years would one day end up writing the character is as absoutely unlikely as it is utterly inevitable. And if that's true for me, it's true for you, if you follow your dreams and your passions in full flight.

Don't give up.

No Limits.

It's never too late to learn to fly.

J. Michael Straczynski

J. Michael Straczynski to write SUPERMAN and WONDER WOMAN, starting in July

sm_cv700-copy

It's go time, folks.

Starting in July with SUPERMAN #701 and WONDER WOMAN #601, superstar writer J. Michael Straczynski — a man who’s created layered and compelling characters and worlds on the big screen, on television and across the comic book spectrum -- dives head-first into the DC Universe by taking the ongoing writing reins for two-thirds of the fabled DCU trinity.

We'll have more details about who'll be teaming with JMS on both titles -- not to mention the exciting new directions he'll be pointing our heroes toward -- in the coming months. But today is about JMS and how he sees these great characters and what they stand for.

Later today we'll be posting an essay from the writer, nailing in a few paragraphs what makes the Man of Steel and Wonder Woman such important parts of our cultural mythology. In my day-to-day here at DC, I see a lot of amazing things cross my desk. Images, new titles, plot directions, you name it. But this essay is something special. It had me rooting for these characters in a whole new way. It’s that good.

But before we get there, let's touch base with JMS about this news. Take it away, sir:

"For as long as I've been doing conventions (starting in the early Cretaceous period, when it was just me and a handful of pterosaurs on a panel debating whether or not mammals with opposable thumbs were really necessary to the writing of quality comics, a point still hotly debated today), there has always been the same question from folks in the audience: "Is there any one character who is your dream character to write for?" The answer has always been the same: Superman. When I first came over to DC, that dream was realized in part by Dan DiDio's gracious invitation to write the first of potentially many Superman original graphic novels. Now the dream has come fully true with the opportunity to write for the mainstream title, in a story that returns Superman to his roots in a way that will have the whole country talking about him in ways that we haven't seen in a long time.

Similarly, the chance to write Wonder Woman -- the nearest analogue to Superman in the DCU -- is massively exciting. She's a vital, powerful character, and we hope to bring a more contemporary sensibility to her character will retaining everything that makes her unique.

That DC is willing to jump-start these two runs in the pages of their respective anniversary issues is a great opportunity and a vote of confidence in what we have planned for these characters. I'm looking forward to this with more excitement than words can convey.

It's gonna be a blast."

The LAST STAND OF NEW KRYPTON starts here

It's New Krypton's worst nightmare as Brainiac attacks the planet, determined to recapture the city of Kandor. But General Zod has been waiting for this moment since Brainiac first attacked Old Krypton – he has a plan to save his people, but at the cost of Earth, which doesn't really bode well with a certain Man of Steel. So it's up to Superman, Supergirl, Superboy and the Legion of Super-Heroes to stop the two madmen before they destroy everything in their path.

The three-issue mini leads directly into THE WAR OF THE SUPERMEN, courtesy of writers Sterling Gates and James Robinson and artist Pete Woods.

SUPERMAN: LAST STAND OF NEW KRYPTON #1 hits 3/10.

[gallery link="file" columns="4"]

FIRST LOOK: WAR OF THE SUPERMEN #0

The Hundred-Minute War is upon us -- but what does it mean for Superman and his allies? Well, a superhuman war fought at superspeed can only mean things will get all the more destructive -- and deadly.

But you all know that. You wanna get to the goods -- some amazing inked pages from penciller Eddy Barrows and inker J.P. Mayer, who's pairing up with writers James Robinson and Sterling Gates to handle the first chapter of WAR OF THE SUPERMEN, which is one of our Free Comic Book Day titles this year. Want more info on FCBD? Well, visit their site, why don't you? But before you do, check out the pages below.

[gallery link="file"]

Jim Lee’s ICONS cover — pencils and inks

What better way to get through a Friday? As we teased a few days ago, we’ve got the inks for Jim Lee’s cover to ICONS: The DC Comics & WildStorm Art of Jim Lee, featuring the work of inker Scott Williams. Some of you may have seen the pencils already, but we’re including them here, too, as you can never go wrong with more Jim Lee art. I also suggest you take a few minutes to check out Jim’s unused ICONS cover, posted earlier.

icons-revised-2-sm

icons_inks

Pages

Subscribe to Superman