WONDER WOMAN #600 sells out

WONDER WOMAN #600 – as you could probably tell – was all the buzz last week, and with good reason. The issue unveiled a new costume designed by Co-Publisher Jim Lee timed to the launch of writer J. Michael Straczynski’s run on the series. Well, the news doesn’t stop there. We’re happy to announce that the issue has sold out, and that the second printing will feature a new cover by regular series artist Don Kramer.

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But that’s not all. Since we’re in a giving mood, we’ve got both covers to next months WONDER WOMAN #601, from Kramer and Alex Garner.

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A few links of note for Friday: Wonder Woman

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In case you decided to sleep through the last two days, you may have noticed that we broke a little bit of news on Wednesday. Specifically, that Wonder Woman will be sporting a new costume starting with WONDER WOMAN #600, which hit stores earlier this week. The costume change is central to the storyline by acclaimed writer J. Michael Straczynski and artist Don Kramer, which started in a short story in #600. And wow, did people respond to the new costume – designed by our very own Co-Publisher Jim Lee. Where to begin?

Well, the news broke with THE NEW YORK TIMES and JMS interviews then cropped up on IGN, COMIC BOOK RESOURCES, AOL COMICS ALLIANCE and NEWSARAMA.

But that was only the beginning. The news continued to spread, with mentions in THE WASHINGTON POST, THE ASSOCIATED PRESS, NATIONAL PUBLIC RADIO, SIRIUS XM RADIO, THE SUN (UK), THE GUARDIAN UK, BBC NEWS, SYDNEY MORNING PAPER (Australia), CNN.com, THE DAILY BEAST, THE ONION AV CLUB, TIME TECHLAND, HOLLYWOOD REPORTER, CBS.com, EW.COM, NPR’s MONKEY SEE, WALL STREET JOURNAL’s SPEAKEASY BLOG, THE HUFFINGTON POST, GAWKER’s JEZEBEL blog, LA TIMES, ACCESS HOLLYWOOD, FOX NEWS, THE NEW YORK DAILY NEWS, THE VILLAGE VOICE, ATLANTA JOURNAL-CONSTITUTION, THE BALTIMORE SUN, KNOXVILLE NEWS, MS MAGAZINE, io9, THE NEW YORK POST, YAHOO!, MAXIM, ROBOT 6, COMICS SHOULD BE GOOD, iFANBOY, WIRED, TOPLESS ROBOT, GAMMA SQUAD, THE BEAT, ICV2, BUST MAGAZINE, MTV SPLASH PAGE, AFTER ELTON, KOTAKU, UGO and television segments on ABC NEWS and THE NBC NIGHTLY NEWS. Pretty impressive – and a testament to the iconic nature of Wonder Woman.

Done clicking through all those links? Well head home and enjoy a wonderful Fourth of July weekend. See you Tuesday.

AMANDA CONNER ON WONDER WOMAN #600

Writing and drawing a Wonder Woman story was almost as much fun as being eight years old and finding my mom's silver poster board, cutting it up and turning it into a pair of bullet-proof bracelets, and then getting my kid brother to shoot at me with his plastic pellet gun.

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A WONDER WOMAN #600 GALLERY

What an amazing week, huh folks? Not only did we hear from a legendary collection of Wonder Woman creators past and present, but we also got a bit of news as well. But more on that later today.

To close things out, we’ve got a gallery of Grade-A pinups from WONDER WOMAN #600, featuring some of the biggest and most talented artists to ever put pen to paper. So take a few minutes out of your Friday to see the Amazon Princess interpreted by the likes of Shane Davis, Ivan Reis, Guillem March, Jock and Greg Horn.

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FRANCIS MANAPUL ON WONDER WOMAN #600

The thing I love most about Wonder Woman is her roots. Raised an Amazon warrior, her very essence combines the very best of mythology and modern day heroes. You could say she bridges the gap between the heroic tales the Greeks used to tell, to the modern day feats of the heroes that roam the DC Universe. In one word she is EPIC. Best of all she just plain kicks ass!

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DON KRAMER ON WONDER WOMAN #600

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Wonder Woman is THE female icon of comic books and probably the most recognizable female super hero in the world. When I was a kid, I was first introduced to her by watching the Super Friends cartoons and the Linda Carter/Wonder Woman show and loved it despite all the camp. Just seeing comic book heroes come to life was a real treat back then. I rediscovered her with the George Perez comics in the 80s. Over the years, her power level and costume has gone through many changes but her character has always remained true. I think her best years are still ahead of her. I feel fortunate to be working with such an iconic character on such a momentous occasion.

GAIL SIMONE ON WONDER WOMAN #600

“George Perez would like to draw a story for Wonder Woman #600, and he wants you to write it.”

What?

George Perez what?

He wants WHO to write it?

I’ve had some amazing experiences as a writer in the time I’ve been at DC Comics, but every comic writer will tell you there’re few things as thrilling as working with an artist you’ve adored for years. Every assignment is special and important, but writing JLA for Jose Garcia Lopez, writing Superman for John Byrne, or writing a Black Canary story for Michael Golden, well, those are moments a writer lives for.

But this is Wonder Woman, and this is George Perez.

You have to understand. I love Wonder Woman. And George is the biggest reason why. The buttkicking, compassionate, brilliant, daring, courageous, loving Princess Diana that we all know, no one made her come alive like George. He told her adventures in a way that made me feel like someone cared that I was in the audience.

He took her creator’s template and made it soar even higher. He gave her a heart and a mind and a soul that still resonate today. When comics were getting more about brutality, George’s Wonder Woman was literate, charming, funny, daring, and everyone knew this was it, this was the game-changer for Diana. When the world wasn’t quite interesting enough to hold her, he rebuilt the world around her; horrid, scary villains, terrific supporting characters, and the best sisters anyone could ever have in the mighty Amazons.

George is a hero of mine for too many reasons to count. I never see him doing anything at a con for himself, he’s always rushing to one charity signing or another. He encourages and inspires creators with tireless generosity. When many creators think tearing down is the way to create interest, George is a builder. To put it bluntly, I can’t imagine what the DCU would be like now without his influence.

Teen Titans, Crisis On Infinite Earths, and so many more.

And Wonder Woman.

Writing this short little story for issue #600’s celebration, just a little tale about where people find inspiration, for George to draw was one of the happiest experiences I’ve ever had as a writer. And of COURSE I stuck in a zillion characters and a huge fight scene, and of course…George nailed it. With an industrial strength nail gun.

See for yourself, he’s still the best.

Like everyone, I’m excited to see what the new creative team handles the greatest action heroine ever created. I wish them the best of luck and huge success. It’s an awesome responsibility writing Diana, but also intimidating because a certain writer/artist set the bar so unbelievably freaking high.

Thank you, George.

You’re a wonder.

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Jim Lee on Wonder Woman’s new costume

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“There’s nothing more daunting than re-designing an icon, but what was refreshing and novel in Joe Straczynski’s directive to be bold in our choices was that we were starting with no preconceptions. This was no mere tweaking, no change of half-measures like haircuts or alterations of color schemes. We decided to go for broke, take no prisoners and let me tell you—it was difficult. Wonder Woman’s costume is so infused into our understanding of the identity of the character that it took many numerous back and forths ’til we broke down what existed, got back metaphorically to the clay from which Wonder Woman started and something new started to form. A design worthy of the mantle of Wonder Woman but one that didn’t scream classic superhero! So we played down and scaled back the iconic elements—the stars, the eagles, the double WW’s, lightened up the motifs and added armor which could pass as street gear. Visually, the character seems edgier than before but stylish enough to warrant a second, albeit cautious, glance. The jacket and boots confirm the costume’s functionality and the open, thinner tiara and shaped bracelets reveal a lighter, even youthful, bent to the Amazonian Princess. All in all, a difficult but rewarding reworking of an iconic costume to usher in a new age; a fresh look worthy of the character defining journey JMS has in store for her ultimate rebirth!”

J. Michael Straczynski on Wonder Woman’s new costume

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“We have to remember here that when Wonder Woman was introduced in 1941, nearly 70 years ago, her outfit was designed with a 1940s sensibility. Though the skirt and heels have come and gone, it’s almost identical to what we have today. While other characters, from Batman to Superman and others throughout the DC Universe, have undergone substantial changes over the years, Wonder Woman has remained pretty much the same in appearance. (With the exception of a mod look used briefly in the 1960s…about which the less said, the better.) What woman only wears one outfit for 70 years? What woman doesn’t accessorize? And more to the point, as many women have lamented over the years…how does she fight in that thing?

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“So my mission statement going into Wonder Woman was real simple: If we were to design her today, without any prior history…what would she look like?

“This is a character that is interesting enough and compelling enough to merit being in the top twenty books at minimum…so why was she languishing? The reason, I felt, was that she’d concretized over the years, had turned into this really cool Porsche that people kept in the garage because they were afraid of denting it rather than going flat-out on the open road. She had become, for lack of a better word, stuffy. She became the mom of the girl next door you wanted to date.

“This was really underscored to me when I used Wonder Woman in Brave and the Bold #33, and many were appalled that Wonder Woman told a joke…that she flirted…that she was relaxed and having fun. One podcaster said that Wonder Woman had become like his grandmother, and he didn’t like to see his grandmother being flirty.

“It seemed to me that the only way to address the situation and turn the character around was to go in prepared to make massive changes in how we think about Wonder Woman. It wasn’t going to work with half-measures. We had to be willing to go the extra mile. We had to be bold.

“So we came at this from a 21st century perspective. Visually, I wanted her to look strong and tough but still quite beautiful. Let’s give her clothes that she can fight in, that add to her presence and her strength and her power. It took a while for us to get there, precisely because we’ve all become so locked-in to how we see her character, but in time we came to a final design.

“Rather than have the W symbol all over the place on her wardrobe, I wanted to highlight it in one area and make that our statement, letting everything else feel more youthful and street-wise. The exception would be the bracelets, which would be solid on the outer side, with a stylized, almost handwritten W symbol there so that when she crosses her arms you get the full effect. And if she hits you with it, it leaves a W mark. She signs her work.

“None of this would work, however, without a strong character behind it. I wanted to free her up from the weight of a lot of her supporting universe so that we could see who she was. Guys tend to see women in terms of what role they play—mother, girlfriend, wife—instead of who they are on their own terms. But I didn’t simply want to eradicate all of it and destroy the work of those who came before me.

“So the solution was to tweak time: at some point about 20 years ago or so, the time stream was changed. Paradise Island was destroyed, and Diana as an infant was smuggled out before her mother was killed along with most of the others. She was raised by guardians sent with her, and some surviving Amazons, so she has a foot in two worlds, the urban world and the world of her people, which still exists in the shadows, underground. So we keep what makes her an Amazon but mix it up with a more modern perspective.

“Those who can see those two worlds know that something has changed, and they try to get Diana to see that, but she only knows what she’s seen and experienced.

“To solve the problem before them she must a) find out who attacked Paradise Island and why, b) stop those who are trying to kill the remaining Amazons now, c) rescue any more surviving Amazons, and d) find some way to straighten out the timeline and reconcile what was to what is. So we continue to get glimpses of Wonder Woman as she was juxtaposed against Diana as she is.

“The result—storywise and visually—is a character who is fiery, dynamic, a bit more vulnerable (she’s still working her way up to her full set of powers), tough, determined and smart and, due to her background, tragic. She keeps her roots in the Amazonian universe while growing up in a more modern setting. The result will, we hope, be a redesign that is as current with the zeitgeist of the 21st century as the original was with 1941.”

Unveiling Wonder Woman’s new costume, direction

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Starting today, Wonder Woman will appear like you’ve never seen her before.

As you may have seen in THE NEW YORK TIMES, bestselling artist and DC Comics Co-Publisher Jim Lee has redesigned her costume for the modern era, just in time for BABYLON 5 creator and critically acclaimed writer J. Michael Straczynski and artists Don Kramer and Michael Babinski to launch the Amazon Princess into an exciting and epic new era of adventure.

Starting with their story in WONDER WOMAN #600, which is in comic shops today, JMS and Kramer will begin a run that is both forward-looking and true to the legendary character, planting her firmly in the modern era. But enough about what I have to say. Mr. Straczynski took some time out of his schedule to lay out some of his plans for WONDER WOMAN right here on The Source. So, without further adieu, take it away, Joe:

Suppose you woke up one morning, or turned a corner, and suddenly the life you had been leading up to that moment...was not the life you were leading.

Suppose someone went back in time and changed one thing, and it changed your life to the point that you had little or no memory of what life had been like before the change happened. What would you do to get it back? Should you get it back? Who did it? And maybe more important...why did they do it?

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That is the question faced by Diana starting in issue 600.

The Gods, for reasons of their own but which may have something to with their survival and perhaps the survival of Earth itself, have changed the timeline. In the new timeline, years ago the Gods removed their protection from Paradise Island, and left it vulnerable to attack. And attacked it was. Led by a dark figure, a veritable army descended upon the Island, equipped with weapons that could kill even the Amazons. Outgunned, doomed, Hippolyta gave over her three-year-old daughter to a handful of guardians who spirited her away as Hippolyta led one last desperate battle against the forces that had come to destroy all she had created. In that final battle, she and most of the Amazons were killed, though some managed to escape.

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It's now nearly twenty years later. Diana has been raised in an urban setting, but with a foot in both worlds. She has little or no memory of the other timeline. She knows only what she's been told by those who raised her On the run, hunted, she must try to survive, help the other refugee Amazons escape the army that is still after them, discover who destroyed Paradise Island and why...and if the timeline can be corrected or not. She also does not yet have access to her full powers, but will be gaining them as she goes. Along the way, she will face a range of enemies -- human and otherwise -- who we have not seen before.

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What we also haven't seen before is her new look, the first significant change in her appearance since the character debuted in 1941 (not counting the mod look used briefly in the sixties, about which the less said the better). It reflects her origins in both the outside world and the world of Amazons: tough, elegant...a street-fighter's look which also incorporates elements of her classic design. It reflects the two sides warring for ultimate victory, and underscores the path she must take.

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It's a look designed to be taken seriously as a warrior, in partial answer to the many female fans over the years who've asked, "how does she fight in that thing without all her parts falling out?") She can close it up to pass unnoticed...open it for the freedom to fight...lose the jacket or keep it on...it has pockets (the other fan question, "where does she carry anything in that outfit?", it can be accessorized...it's a Wonder Woman look designed for the 21st century. The bracelets are still there, but made more colorful, tied on the inside and over the hand, with a script W on each of them that form WW when she holds them side by side...and if you get hit by one of them, it leaves a W mark. This is a Wonder Woman who signs her work...letting her enemies know that she's getting closer.

This is Wonder Woman reborn, literally and metaphorically: fast, elegant, tough, smart...the savior of her people, their guardian and protector...avenging the fall of Paradise Island, searching to discover why Paradise Island was abandoned by the gods. In the end, what she discovers will change her life and the world forever...and she will come face to face with a decision that will mean life or death for the entire human race.

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