An underwater danger threatens Aquaman -- and the Demon

We've had an exciting flurry of J. Michael Straczynski news in the past week or so, and we can understand if you're jonesin' to read his upcoming work on SUPERMAN and WONDER WOMAN. Well, have you checked out BRAVE AND THE BOLD yet? In issue #32, a horrifying lost city has risen at the bottom of the ocean, and Aquaman must call on the supernatural might of Etrigan, the Demon to stand between humanity and the dark menace that lurks inside that forgotten realm. An undersea chiller courtesy of the team of JMS and artist Jesus Saiz.

BRAVE AND THE BOLD #32 hits 3/17.

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A few links of note — JMS edition

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That was some big news on Monday, eh?

And with big news comes big reaction, with a number of outlets picking up on the fact that JMS will be writing SUPERMAN and WONDER WOMAN in July and commenting on his excellent essay, posted later in the day Monday.

Bryan Young, writing at THE HUFFINGTON POST, summed things up nicely: "I can't wait to see what he'll do." Same here, Bryan.

In addition to THE HUFFINGTON POST, the news got placement at a number of outlets, including AOL’s COMICS ALLIANCE blog, TIME’s TECHLAND, IGN, io9, NEWSARAMA, COMIC BOOK RESOURCES, iFANBOY, ICv2, ROBOT 6, AIN’T IT COOL NEWS and BLOG@NEWSARAMA.

No limits: J. Michael Straczynski on SUPERMAN, WONDER WOMAN

One of my very earliest memories as a child is of watching one of the Superman cartoons created by Max Fleischer. In particular, a scene where Superman puts his cape around Lois Lane to protect her from an incoming tide of molten metal. I imprinted on that image like a baby duck, and a lot of what I laughingly call my personality was formed in that moment (which is why a cel-recreation of that image is one of the first things you see upon entering my home, before you get to the row of wall after wall covered with artwork by Alex Ross, Curt Swan and others, as well as just about every bit of Superman memorabilia ever produced).

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As a kid growing up in the mean streets of New Jersey, Superman was an icon for me. It was a tough life: we moved about 21 times in my first 17 years, we didn't have much money, and every day was a struggle. When I told grown-ups that I was going to be a writer someday, nobody listened, nobody thought I had a chance, because as far as teachers were concerned, kids like me who came from nowhere and nothing were dead-enders, destined to end up working at the gas station at best or in jail at worst. Writers were supposesd to be Ivory Tower guys with leather patches on the elbows of their smoking jackets, who went to the right schools and came from the right families. I lived in the world of No, a place populated by bullies and street fights and tenements, with no possibility of escape.

But Superman...see, Superman could do anything. If there was someplace he didn't want to be, he could just fly away. And he couldn't be hurt, which to a kid who got beat up pretty regularly in fights and elsewhere was a pretty attractive idea. Superman taught me the morals and ethics I draw up on to this day: to play fair, not to lie, and to be willing to put yourself between harm and those you care about.

If Superman could do anything, then maybe I had a chance. Maybe I could become a writer. Maybe I could even learn to fly. That symbol, the S, became a badge for me, and growing up I always made sure I had it somewhere on me, like a shaman's charm. That may sound silly, and from a grown-up perspective it probably is silly, but as Henry Kissinger once said, it has the added benefit of being true. And it helped me get through the hard times, which is why I continue that practice to this day...right now it's on a key-chain in my pocket.

For me, and I suspect for a lot of people, that symbol stands for the belief in our own potentiality, in what we think we can do, and try, and aspire to. I was watching the news recently, and they were showing Palistinian protests, followed by a story on the night life scene in LA, and later on, a live report from London about somethingorother...and in the background of each of those stories there was somebody wearing a Superman t-shirt or cap. It's universal.

And there's a reason for that, a secret no one knows, but I'll tell you, because of how long I've known you, and our longstanding friendship.

And the secret is this:

The Superman symbol is Kryptonian for No Limits.

And whether or not you speak Kryptonian (or Kryptonese), you know that...you know that deep inside, where even the cynicism of the world cannot reach.

I've told this story before in other places, so at risk of being redundant...back a few years ago, I was at the Chicago Comic Con when a guy in his 20s grabbed a bunch of expensive stuff off a table in the dealer's room and made a run for it. The ownere ran after him down the aisle, yelling "stop him!" As he came in my direction, everybody parted like the Red Sea.

I brought him down like a gazelle, and we held him untnil the police showed up.

Afterward, one of the con organizers said to me, "Why'd you do that? He's a big guy, you could've gotten hurt."

And I pointed to where I'd been standing when it happened: right in front of a ten-foot-tall cutout of Superman. "How could I stand in front of that, in front of him," I said, "and do nothing?"

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As Superman has been for me, so Wonder Woman has been for a lot of women readers, so the chance to dive into that character is something I'm eagerly anticipating. This is a strong, mythic, powerful character who for some time now has been kind of drowning under the weight of her own mythos, so I'm looking forward to paring away some of the layers of debris and undergrowth that have piled up around her in order to get to the core of the character. Coming from the world of TV and film, the first rule you learn is to service the main character more than anything else, so I'll be writing with an eye firmly fixed on that rule.

As part of that process, we're going to be looking more closely at how Wonder Woman appears, and functions, and her role in the DCU...and what we have planned will, we hope, come across as dynamic and powerful as she deserves to be.

Similarly, we plan to bring Superman back to his roots, to really explore who he is...how he sees us, and how we see him, in a much more personal way than we've seen in a while. This is part of a larger effort that will have national ramifications, but I can't say much more about it than that for now. Keep an eye on this website for more information when the time is right...but for now, let's just say that Superman may be a lot closer in proximity to you, the reader, than you ever guessed.

To kick off both efforts by appearing in the anniversary issues of these two characters is a great opportunity, and a good jumping-on point for readers.

If there's any other message in this to readers, it's in these two characters as icons of hope, that it doesn't make any difference where you come from, or where you went to school, or who you are, there's hope. That a kid from Jersey with Superman as the icon that kept him alive for years would one day end up writing the character is as absoutely unlikely as it is utterly inevitable. And if that's true for me, it's true for you, if you follow your dreams and your passions in full flight.

Don't give up.

No Limits.

It's never too late to learn to fly.

J. Michael Straczynski

J. Michael Straczynski to write SUPERMAN and WONDER WOMAN, starting in July

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It's go time, folks.

Starting in July with SUPERMAN #701 and WONDER WOMAN #601, superstar writer J. Michael Straczynski — a man who’s created layered and compelling characters and worlds on the big screen, on television and across the comic book spectrum -- dives head-first into the DC Universe by taking the ongoing writing reins for two-thirds of the fabled DCU trinity.

We'll have more details about who'll be teaming with JMS on both titles -- not to mention the exciting new directions he'll be pointing our heroes toward -- in the coming months. But today is about JMS and how he sees these great characters and what they stand for.

Later today we'll be posting an essay from the writer, nailing in a few paragraphs what makes the Man of Steel and Wonder Woman such important parts of our cultural mythology. In my day-to-day here at DC, I see a lot of amazing things cross my desk. Images, new titles, plot directions, you name it. But this essay is something special. It had me rooting for these characters in a whole new way. It’s that good.

But before we get there, let's touch base with JMS about this news. Take it away, sir:

"For as long as I've been doing conventions (starting in the early Cretaceous period, when it was just me and a handful of pterosaurs on a panel debating whether or not mammals with opposable thumbs were really necessary to the writing of quality comics, a point still hotly debated today), there has always been the same question from folks in the audience: "Is there any one character who is your dream character to write for?" The answer has always been the same: Superman. When I first came over to DC, that dream was realized in part by Dan DiDio's gracious invitation to write the first of potentially many Superman original graphic novels. Now the dream has come fully true with the opportunity to write for the mainstream title, in a story that returns Superman to his roots in a way that will have the whole country talking about him in ways that we haven't seen in a long time.

Similarly, the chance to write Wonder Woman -- the nearest analogue to Superman in the DCU -- is massively exciting. She's a vital, powerful character, and we hope to bring a more contemporary sensibility to her character will retaining everything that makes her unique.

That DC is willing to jump-start these two runs in the pages of their respective anniversary issues is a great opportunity and a vote of confidence in what we have planned for these characters. I'm looking forward to this with more excitement than words can convey.

It's gonna be a blast."

Gail Simone on leaving WONDER WOMAN, returning to BIRDS OF PREY

The headline's true. After a lengthy and impressive run on WONDER WOMAN, writer Gail Simone is moving on to other projects.

Gail's work on WONDER WOMAN has become a staple of the DC Universe, and her take on Princess Diana has resonated with readers from the get-go, and will continue to connect with newer fans as they discover her work. But let's not get overly maudlin here, gang. Gail's not disappearing. Quite the opposite. Her work on SECRET SIX, which has garnered stellar reviews, will continue and it's hard not to get excited about her upcoming BIRDS OF PREY relaunch. We even managed to wrangle a new piece of BIRDS art from artist Ed Benes to serve as a gentle reminder that big things are indeed on the horizon:

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We'll have lots more news and info on Gail's upcoming work, but let's take a moment to give her a well-deserved round of applause and hear her thoughts on an epic run on WONDER WOMAN. Take it away, Gail:

"Working on Wonder Woman has been one of the most thrilling things in my career. There aren't many jobs in comics as cool as writing dialogue for Hippolyta as she's riding a flying horse and stabbing giant sea monsters. I had a blast and as always when I leave a book, I'm going to miss the cast terribly.

When you write this book, you meet these remarkable, amazing Wonder Woman fans and it's quite unlike anything I've ever experienced, just this wave of love and kindness.  Diana means something to these people in a way that few other superhero characters really ever seem to do, and I can't thank the readers enough for their undying affection for the character. I've met people whose stories about what

Wonder Woman meant to them are going to stay with me forever. It's a pretty rare gift.

I have to also thank, once again, the writers and creators who came before me on the book. I've said it many times, but the club of Wonder Woman writers seems to be a group of people bonded forever. Whenever I needed help or advice or answers, they were always, always there.  The endless support and generosity of these people is astounding and I am grateful forever to Phil, Greg (both of whom were endlessly patient and helpful as I asked a thousand questions about their runs), Trina, Kurt, Dan Mishkin, Allan, Jodi, J. Torres, Bill Messner-Loebs, Mindy Newell, and of course, the great George Perez. When you have those people in your corner, you feel like you can do anything.

And above all I want to thank some of the most amazing artists in the business, people who somehow managed not to kill me when I would write panel descriptions like, "Then a thousand warriors attack..."  These people were supremely dedicated and professional and any applause you might have for the book should be squarely aimed at them.  Thank you so much, Chris Batista, Nicola Scott, Matt Ryan, Brad Anderson, Fernando Dagnino, Terry and Rachel Dodson, and above all, the amazing Bernard Chang and Aaron Lopresti. They did Diana proud and I also appreciate them not killing me for asking for pages and pages of Themysciran architecture.

I'm sad to leave but very, very proud of the work we did together and delighted to have been a small part of Diana's ongoing epic saga.  It's really been a joy.  And I have to say in complete honestly, I am genuinely thrilled by who is taking over the book.  It's someone who is going to rock this book like there's no tomorrow, and I could not be happier with this choice. They got this one 100% right. I think it's going to be a new era of greatness for our princess.  People are going to freak and that makes me smile a lot.

My schedule is packed full, as well...and I'm doing books that make me happy every day, like the incredibly fun and horrid SECRET SIX, which has some really shocking surprises coming, and then of course  a book very dear to my heart, the return of BIRDS OF PREY in May, with artist Ed Benes doing the finest work of his career.  And I can announce for the first time officially, a really exciting WELCOME TO TRANQUILITY mini-series starts in July!  Add to that a little treat that is a life-long dream of mine coming true in WONDER WOMAN #600 and it's turning out to be a great, great year.  Aside all that, a huge surprise with one of my all-time favorite artists is coming, but we can't even hint at that now, so pretend you didn't read that last bit.

Thank you again, everyone. Be sure to check out Birds of Prey number one...it is CRAZY fun. You can't see it, but I'm giving the Amazon salute. Thanks, everyone!"

Jim Lee’s ICONS cover — pencils and inks

What better way to get through a Friday? As we teased a few days ago, we’ve got the inks for Jim Lee’s cover to ICONS: The DC Comics & WildStorm Art of Jim Lee, featuring the work of inker Scott Williams. Some of you may have seen the pencils already, but we’re including them here, too, as you can never go wrong with more Jim Lee art. I also suggest you take a few minutes to check out Jim’s unused ICONS cover, posted earlier.

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Want to see another great piece of Jim Lee artwork?

I wanted to follow the Co-Publisher's blog with a more personal update of my own creative work. For fans of my art--fear not, drawing comic books is actually a part of my new job description, and I actually plan on increasing the frequency of which you will be seeing my work. It’s important to me not only on a personal level that I continue with a hand in the actual creation of new comics but also for a broader mission.

The mission?

To energize the DCE editorial group through a two-pronged approach. Working with Co-Publisher Dan DiDio and writer/Chief Creative Officer, Geoff Johns, I hope to establish new, exciting directions for the DCU working with the current editorial teams: re-imaging long forgotten, obscure characters, updating classic ones, and introducing yet new ones. That's the prong from the top down: defining direction and spearheading innovation. Then, down in the trenches, working on actual titles, creating excitement amongst the fans, leading by example from the ground up.

DC would be shortsighted to enlist some of the top talents in the business and keep them from doing their best creative work. So please expect to see renewed productivity in the near future. Oh, and an update on All-Star Batman and Robin after I get to chat with and hear out my collaborator, Frank Miller.

'Til then, enjoy some of my recent work for the upcoming ICONS: Art of Jim Lee book from Titan Books. Oh, and for the curious, this is NOT the final cover. In fact, I rejected it and decided to redo it (I kept the Trinity composition but changed the angle of the shot and pushed the lighting a lot more).

Best,

Jim

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Looks great, huh? There's more. Come back tomorrow for the final ICONS cover and don't forget to swing by GRAPHIC CONTENT and THE BLEED for two more pieces of amazing Jim Lee artwork.

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