CBR’S TALKIN’ ABOUT “THE NIGHT OF THE OWLS”

With “The Night of the Owls” crossover coming to Gotham City this May, COMIC BOOK RESOURCES ran a complete week of coverage examining the event. While CBR often spotlights their Batman coverage under the “Bat Signal” header, they even retitled the column in honor of the event. With the Owls wreaking havoc on Gotham and taking over the city, it only seemed right for the “Bat Signal” to be subverted into the “Owl Signal.” Kicking off their week with the creative who introduced the sinister Court of Owls into the mythology, CBR spoke with BATMAN writer Scott Snyder and artist Greg Capullo. BATMAN series editor Mike Marts joined in the candid conversation about the malevolent new villain that has sprung up to threaten the extended Bat-family. Said Snyder, “As I was working on the story, I realized there was a point in issue #9 where the attack that the Owls were going to launch against Gotham was so big and so broad that we had to at least address where the other Bat characters were. So I talked to Mike and told him that there was an opportunity to play in if they wanted to. From there, we tried to make an event where each writer or each team working on the Bat books could look at their story lines and decide if they wanted to organically tie it in.” Next came their interview with Kyle Higgins, writer of NIGHTWING. “From a thematic standpoint and an emotional standpoint, some of the things that come up during Nightwing's fight with the Owls are going to raise questions for him about what his place in the future of the city is, what his place in current Gotham could have been, and whether or not the way he and Batman operate in the city accomplish all that much of anything,” said Higgins. “So yeah, it's safe to say this crossover will frame some things for Nightwing to look at as we move forward in the series.” Though it might seem an unlikely participant in the “Night of the Owls,” ALL-STAR WESTERN takes place in Gotham of a century ago, offering insights into the Owls’ roots. Writers Justin Gray and Jimmy Palmiotti explored the depth of the Court’s hold on the city. “The mythology that Scott [Snyder] is developing so admirably in BATMAN lends itself directly to ALL-STAR WESTERN because it encompasses the history of Gotham long before the caped crusader existed,” said Gray. “To that end, using both The Court of Owls and the Talon fit seamlessly into our existing plans for the book. In fact, we're already seeding ideas and images in ALL STAR that come into play not only with #9, but also all the way through the end of our first year.” With Batman under fire in his self-titled book, Robin’s on his own against the Owls’ assassin: The Talon. BATMAN AND ROBIN writer Peter Tomasi explains, “Robin pretty much faces this Talon alone in a wall to wall action packed story just outside of Gotham. Batman has his hands full with all the craziness that Scott's throwing at him at Wayne Manor, and members of the Bat Family need to step up and kick some serious ass to try and help set things right. With all of the Talon action taking place in Gotham proper, I thought it would be cool to move Robin into the outskirts for a little change of scenery in his battle.” Fending off the Owl attack on three separate front, writer Judd Winick discusses the crossover from the perspective of three distinct titles: BATWING, CATWOMAN and BATMAN: THE DARK KNIGHT. “I think it's a little bit of everything. These are three very, very different stories,” said Winick. “That's the fun of this entire crossover that it's a really big, terrific, ramshackle story just full of action, lots of emotion, and digs around in canon in a way that I think is really, really interesting.” And finally, writer Scott Lobdell spoke about how RED HOOD AND THE OUTLAWS fits into the action – no small feat, given the characters’ general inability to play well with others. “RED HOOD AND THE OUTLAWS ‘isn't like the other kids’ – they're not really asked to play in the reindeer games. When you see how they wind up caught between a Talon rock and a Mr. Freeze hard place, it will feel like exactly what it is: A ‘Night Of The Owls’ story through that Outlaw prism.” Don’t miss “The Night of the Owls,” coming this May.

DETECTIVE COMICS #9 JOINS “THE NIGHT OF THE OWLS”

With anticipation for May’s “The Night of the Owls” crossover building across the extended Bat-family, DETECTIVE COMICS will also now be part of the greater battle for Gotham City. Written by Tony S. Daniel and illustrated by Daniel and Sandu Florea, the issue finds the sinister secret society targeting one of Gotham’s most iconic institutions. “In DETECTIVE #9, Batman finds himself in the unlikeliest of situations—saving Arkham Asylum administrator Jeremiah Arkham from a mysterious Talon assailant,” said Mike Marts, BATMAN Series editor. “What is the secret connection between the Court of Owls and Gotham City’s oldest institution for the criminally insane?”

Dustin Nguyen on the Variant Cover for BATMAN #7

For the past few days on THE SOURCE, we’ve been showing you some of the various character designs of Talon, the newest villain in Batman’s gallery of rogues and the leader of the Court of the Owls. Today, we continue to give you a backstage pass to the “Night of the Owls” crossover event by showing you an exclusive sneak peek at artist Dustin Nguyen’s variant cover for BATMAN #7. Setting the stage for the “Night of the Owls” prelude in issue #8, BATMAN #7 is an issue comprised of secrets so grave that the Dark Knight’s world will never be the same. “While reading Scott Snyder's script, there was an act that really stuck with me,” Nguyen exclusively told THE SOURCE. “It was a scene where Batman was mixed with pain, fear, and shock. I thought that was a powerful moment in the issue and decided to base the cover off of that moment.” BATMAN #7 will be available for purchase starting March 21st.

ALL-STAR WESTERN tie in to "Night of the Owls"

With the highly anticipated “Night of the Owls” crossover beginning this May, we asked writers Justin Gray and Jimmy Palmiotti how it impacts their story in ALL-STAR WESTERN. ““Plans within plans.” That’s one of my favorite lines from Frank Herbert’s eco-sci-fi epic, Dune. It is also one of the hardest things to convey in a monthly comic where readers are often second-guessing the outcome or direction of a series. There is always a larger plan at work and things are never quite what they seem,” says Gray. “Both Batman and Jonah Hex have been discovering this fact in their own unique ways. Having chosen Gotham City as the unlikely setting for ALL-STAR WESTERN, Jimmy and I thought long and hard about the different ways we could make the book interesting to both new readers and the Jonah Hex faithful. To do that we began our initial arc with the secret society called The Crime Bible trying to establish its roots in 1880’s Gotham. At the same time over in BATMAN, readers were introduced to The Court of Owls.” Gray continues, “By now you know both organizations existed long before the caped crusader launched his one-man campaign to save the soul of a city. So starting in May, The Court of Owls, the Talon, the secret history of Gotham, Crime Bible, Jonah Hex and Amadeus Arkham…some of the most unlikely and surprising elements start falling seamlessly in to place. It has been months and months in the making, but the plans within plans are coming to fruition and even the most cynical fan has to admit this New 52 thing is pretty damn exciting.” So get ready to discover what the Court of Owls was up to in Gotham City cira 1880 in ALL-STAR WESTERN #9. As Palmiotti says, "This is the best of both worlds for comic fans and us, and we plan on delivering the goods. Everything about this crossover makes sense and is planned brilliantly. We are happy to make Jonah and the gang part of comic book history once again."

(art by Ladronn)

“NIGHT OF THE OWLS” – TALON DESIGN (1770s)

The “Night of the Owls” is coming this May, pitting the extended Bat-family against the deadly Court of Owls. A shadowy secret society with roots that date back to Gotham City’s earliest history, the Court employs a cadre of timeless, sinister assassins known as Talons to execute its malevolent will.“Same approach as the 1660s owl, basically,” said BATMAN artist Greg Capullo of the 1770s Talon, who will be resurrected to menace BATMAN AND ROBIN. “I looked at that period’s military. I was happy to find less frilly stuff. Overall, the period looks more bad-ass, despite the stockings.”

Stay tuned to The Source all this week and next to see the various other Talons that will rise to menace Gotham City during the “Night of the Owls.”

“NIGHT OF THE OWLS” – TALON DESIGN (1660)

The “Night of the Owls” is coming this May, pitting the extended Bat-family against the deadly Court of Owls. A shadowy secret society with roots that date back to Gotham City’s earliest history, the Court employs a cadre of timeless, sinister assassins known as Talons to execute its malevolent will. “I thought about owls for a minute, and the hooded owl sprang to mind,” said BATMAN artist Greg Capullo about the creation of the original Talon. “So I gave him a hood like an executioner. As for the lines of the suit, I let the thought of birds guide my hand. An owl design simply made sense.” For the earliest of the Talon designs – appearing in Gotham City of the 1660s, and resurrected to battle CATWOMAN – Capullo did some historical research to capture the proper aesthetic. “I Googled garb and weapons from the period to get the right feel,” said Capullo. “I mixed, I matched and modified what I’d seen into a design that looked dangerous.”

Stay tuned to The Source all this week and next to see the various other Talons that will rise to menace Gotham City during the “Night of the Owls.”

Walter Simonson on the cover for THE JUDAS COIN

This fall, DC Entertainment will be releasing THE JUDAS COIN, an original 94-page hardcover graphic novel written and illustrated by industry legend Walter Simonson. THE JUDAS COIN features characters from all across the DC Universe. Today, take an exclusive first look at the book’s cover based on a featured showdown between Batman and Two-Face. “The cover for THE JUDAS COIN was designed and drawn with inspiration provided in part by movie posters from the ‘60s and ‘70s,” Simonson exclusively told THE SOURCE. “In particular, I was thinking of the posters of Bob Peak, who did such beautiful work back then with montage. Peak was a master at creating a strong central image and surrounding it with smaller, often fairly loose images derived from various scenes in the movie. I make no claims to Peak’s draftsmanship, but for a work like THE JUDAS COIN, comprised as it is of six separate but related stories, I wanted a cover that would provide both a strong visual image at its core, and a series of small drawings that would reflect the structure of the book’s interior. Batman and Two-Face, eternal enemies, provided a good focal point. The vignettes around them echo the individual stories within the book.” Look for THE JUDAS COIN in bookstores everywhere on September 18th and be sure to keep checking THE SOURCE as more details about the book become available.

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